Nigeria plans major shake-up of broadcasting sector

Nigeria plans major shake-up of broadcasting sector

Nigeria plans major shake-up of broadcasting sector

Nigeria’s Minister of Information and Culture, Alhaji Lai Mohammed (pictured), has plans to invigorate the country’s broadcasting sector. In a statement issued on 9 January, the Minister said that the National Broadcasting Commission is to “immediately implement measures aimed at re-positioning the broadcast industry with a view to sanitizing the industry, creating jobs, promoting local content, boosting the advert industry and bringing the broadcast industry up to par with the best practices from around the world.”

The moves follow the submission of a report to the Minister by a Committee which was established to look at how to re-position the broadcasting industry in Nigeria. New regulations are now likely that will mean 70% of all broadcasters’ output must originate locally, helping, according to the Minister, to empower local producers, increase the standard of locally-produced content and create jobs.

There is to be greater policing of music by broadcasters, designed to ensure that illegal, unpaid use of musical works is stamped out.

Advertising is to be locally produced or where this is not possible, a charge levied to fund the development of local expertise in production.

One of the most interesting announcements concerns sports rights. Exclusivity is to be banned in Nigeria, with a new regulation that compels broadcasters and exclusive licensees of sports rights to share the rights. This will affect Multichoice, the South African-based satellite operator that has pan-African rights for many high-profile sports. Multichoice’s ownerships of the rights has prevented competitors from carrying lucrative sports on local platforms and networks and which has hampered the development of profitable broadcasting across many African territories.

”This regulation prevents the misuse of monopoly or market power or anti-competitive and unfair practices by a foreign or local broadcaster to suppress other local broadcaster in the television and radio markets, having removed exclusivity from all content in Nigeria and mandated the sharing of all content upon the payment of commercially viable fees,” the Minister said.

BBC seeks to double global audience to one billion

BBC seeks to double global audience to one billion

BBC seeks to double global audience to one billion

BBC Director-General sets out vision for next seven years

  • Increasing reach of BBC News

  • Taking BBC Sounds app global

  • Story-led commissioning innovation in BBC News

  • Making Corporation carbon neutral

  • More staff away from London

The BBC Director-General Lord Tony Hall gave a New Year’s address to staff from the new BBC broadcast centre in the Welsh capital, Cardiff, on 14 January.

In his wide-ranging speech – relayed to all BBC offices in the UK and abroad – Hall said that the plans he was announcing would set the Corporation up for the rest of the current Royal Charter period that runs until 2027.

Hall said that the BBC brand is “recognised, and at times revered”, all over the world, with 426 million people using BBC products every week. He praised the work of BBC Studios, the in-house production unit, highlighting the immense audience for the landmark “Planet” series produced by the BBC Natural History Unit. Alongside this, BBC News is growing as it gives “so many more people access to news and information they can trust”. He cited the example of India where the BBC is now reaching 50 million people, an increase of 70% in the last year.

Now Hall wants to build on these successes and double global reach to one billion people every week by the end of this decade. He praised the last UK government that provided new funding for BBC World Service and he said that he’s looking forward to working with Boris Johnson’s new government. In addition, Hall wants to develop the BBC global brand and associated revenues further, gaining additional revenue from outside the UK at the same time as reaching the one billion audience figure.

Hall said that Fran Unsworth, Director of BBC News, is looking at new ways of working, including how best to bring the diverse range of BBC News teams together and how they can best create impact among audiences, including making sure that all the Corporation’s audiences recognise that BBC News “is really for them”. There’s to be a new “story-led” approach to commissioning in News and more detail on this will be announced towards the end of January. “It’s not just about how we cover news, it’s about what we cover’” said Hall. Audiences have told the BBC that they want explanation and analysis that helps them explore solutions. During 2020 there will be a “major focus on big themes, the things that matter beyond the headlines and the immediate.”

Hall spoke of the new Cardiff headquarters for BBC Wales that uses the newest generation of broadcast technology, live IP. He said that the building in the centre of the Welsh capital is the “most connected and flexible media centre in the world,” that is also the “greenest and most sustainable broadcast centre in Europe and…the world’s most accessible building for neurodiversity.” The renowned school of journalism at Cardiff University has moved alongside the BBC in the city.

Outside Wales, a new BBC technology hub is being created in Newcastle-upon-Tyne in the north-east of England. This is where software engineers, designers, product developers and data scientists will be based, driving the BBC’s digital services for UK and international audiences.

The curation team of BBC Sounds – the digital app for audio content – will be based at Salford on the outskirts of Manchester in the north of England. Hall said that BBC Sounds will be opened up to new British creators and will bring the best podcasts to everyone – presumably meaning that the platform will be available to storytellers to use to reach larger audiences. The BBC Sounds app will become available globally later in 2020, taking live BBC content and archived material to international audiences.

Importantly in terms of sustainability, Hall said that he wants to see “what it would take to make the BBC’s operations carbon neutral in this Charter period.” The BBC created the Albert initiative that broadcasters and production companies can use to help them become more sustainable. The AIB has been working with Albert to take its message to broadcasters and producers internationally.

Reading between the lines, Hall’s speech was perhaps a message to the UK government that said: “we know what we need to do, and we’re doing it. Mess with the BBC at your peril.” For example, moving more teams to places across the UK can be seen as a hedging move, protecting the BBC from accusations of being too London-centric and making it harder for any future licence-fee settlement to shrink the BBC’s staff numbers if it poses a threat to regional jobs and economies. The fact that Hall cited the way other organisations are drawn to where the BBC is establishing or expanding bases demonstrates that the presence of the BBC is a local multiplier, helping to drive growth in the media and digital sectors where it operates.

There is more news to come from the BBC over the coming weeks. Broadcasters and media companies, both in the UK and around the world, as well as politicians will be looking at how the world’s largest publicly funded broadcaster is adapting to ever-increasing competition from streaming services, the challenges in the news sector and the problems associated with climate change.

Main image: JThomas / BBC Cymru Wales

Media Freedom and the AIB – a topical example

Media Freedom and the AIB – a topical example

Media Freedom and the AIB – a topical example

One of the AIB’s primary tasks is to support journalists and journalism under threat. This means responding rapidly to issues as they arise, and then continuing to monitor and provide assistance over many months and, in some cases, years as geo-political issues that affect our members play out. We use our global voice and the collective strength of our members to support essential journalism as well as to fight for media freedom.

Iran is a case in point. We are supporting the BBC Persian Service whose staff have endured attacks by the Iranian authorities both inside Iran and abroad. We have now had to widen our support to Iran International who also came under concerted attack in 2019.

The past few weeks have seen increased tension in the country and the wider region following the US killing of Major General Qasem Soleiman, significant protests across Iran against the rise in fuel prices and the shooting down of Ukraine Airlines flight 752. There have been further protests over the killing of Iran’s own citizens by its security services. The Iranian leadership has been unpopular for some time with a sizable part of the Iranian people and has committed atrocities against its own people, such as the indiscriminate shooting of protesters. It has found itself the target of the US President. The authorities in Tehran are struggling to cope with what has been described by some commentators as an existential threat to the country’s current regime.

The response of the authorities has included the intimidation of the country’s domestic media – as totalitarian regimes tend to do in time of crisis – along with attempts to influence the narrative of the media reporting on and to Iran from abroad.

This situation means the AIB needs to shine a spotlight on how our members and journalists on the ground are being affected.

These attacks are not new. In November, at the height of the fuel price protests, the Iranian authorities targeted UK-based Iran International in a repeat of tactics they are using against BBC Persian. Staff at Iran International were hit with asset freezes that affect not only them but their families too. At the same time, the Iran International satellite signal was jammed by Iran as it attempted to silence news and information being broadcast into the country. The AIB responded to these attacks on Iran International and its staff, as it has done with the attacks on BBC Persian and its staff.

At the time of the protests, the Iranian Ministry of Intelligence issued a statement announcing that it considers any cooperation with the “hostile” UK-based Iran International TV as “an act of terror”. The statement added that all the “rioters who acted under Iran International’s command” had been arrested.

In December, an individual was detained in Iran’s Khuzestan province for allegedly sending information to Iran International. The channel, along with other Western broadcasters’ Persian-language services, is not permitted to have its own reporters in the country and relies heavily on reports from citizen journalists in Iran. BBC Monitoring reported that the Mehr news agency said that the unnamed individual was arrested at midnight on 25 December.

The oil-rich province of Khuzestan, which has a large population of ethnic Arabs, experienced some of the worst violence during the unrest. Dozens were killed in the city of Mahshahr as the Counter-terrorism Special Force (NOPO) rounded up the protesters and shot them.

Amnesty International puts the death toll during the November protests in Iran at 304 quoting “reliable sources”, adding that thousands more, including a large number of teenagers, were detained and tortured by security forces. Meanwhile, Reuters estimated the death toll at around 1,500, citing three anonymous officials at the Interior Ministry. Iran dismissed these figures as “not credible” while refusing to produce its own at the direction of the Supreme National Security Council.

Iranian state TV acknowledged the deaths of a number of protesters in Mahshahr, but described them as “armed members of separatist groups”.

The pressure on foreign media increased on 9 January when Hesamodin Ashna, an advisor to President Rouhani, tweeted “The Persian-language media outlets are hereby warned to refrain from engaging in the psychological war related to the Ukrainian aircraft and cooperating with anti-Iranian rebels.

This was a clear threat aimed at journalists outside Iran, and it provided evidence of the Iranian government’s continued campaign against international media outlets. According to Iran Wire, Iranians responded angrily to Ashena’s Tweet, with a satirist’s joke widely shared on Twitter: “Send your plainclothes agents to Twitter to wrap up the protests in two days!”

It was two days after Ashna’s Tweet that the Iranian authorities admitted what Western leaders had said was likely – that it was an Iranian missile that brought down Ukraine Airways 752 shortly after take-off from Tehran airport.

The Iranian authorities now had a dilemma: how best to deal with this uncomfortable situation without compromising on their hardline approach to foreign media and the international community.

Iran’s international English-language TV channel, Press TV, in a report on 13 January headlined: Iran administration denies spreading misinformtion [sic] on plane crash, saying: “The discrepancy between the initial accounts and the subsequent investigations gave rise to a wave of public anger, with some accusing government officials of seeking to cover up the truth.

Speaking at a press conference in Tehran on 13 January, Ali Rabiei, the administration’s spokesman, said, “As a matter of fact, we did not lie. Lying means conscious and deliberate falsification of the truth. Such a thing never took place.””

Admission by Press TV of the “public anger” against the government is unusual. Its coverage of the November protests against the increase in fuel prices placed the blame for much of the unrest firmly at the door of “completely trained” personnel – in other words, people who had been put in place by foreign governments.

There was a further development on 12 January when presenters on Iranian state run IRIB resigned. The Guardian newspaper reported: “At least two presenters working for the Iranian state broadcaster IRIB have announced they have quit their jobs, with a third saying she quit some time ago after having told lies on behalf of the state for 13 years.

“Gelare Jabbari apologised in an Instagram post, writing: “It was very hard for me to believe that our people have been killed. Forgive me that I got to know this late. And forgive me for the 13 years I told you lies.”.

So, what does the confusion at the heart of the Iranian regime mean for Persian-language international media? Attacking foreign media is likely to continue unabated, since pushing the blame for the various crises in Iran helps to deflect blame from the current government. The big question is: will the Iranian people accept the continued misinformation and disinformation that flows from the country’s domestic, state-controlled media, or will they start to seek ever more news and information from international sources? Unrest may grow and protests against the regime may increase in number and frequency. This will, in all likelihood, result in increased pressure on the international foreign media as the Iranian Government tries to maintain power.

For the Iran, the pressure that is being applied by major international broadcasters and other organisations through the United Nations may produce greater results in this changed climate resulting from the shooting down of flight 752. This in itself is good for the staff of Persian-language broadcasters who will see increased international support. Whether this results in a reduction in the targeted attacks on them and their families remains to be seen.

While our members and journalism in general are under attack, the Association for International Broadcasting will continue to work on behalf of those who face the immense challenges in reporting about, and broadcasting to, Iran’s 81 million population. We hope that in the near future we will see positive changes occurring that allow Iran’s citizens to understand the world and their own government more easily and in greater depth.

They deserve media freedom.

Image: UGC/social media via Radio Farda

New headquarters for Voice of Nigeria

New headquarters for Voice of Nigeria

New headquarters for Voice of Nigeria

Anti-corruption drive pays dividend for Nigeria’s international broadcaster

Nigeria’s anti-corruption campaign has recovered assets worth tens of millions of dollars, with many more millions still to be traced. One beneficiary of the seizing of assets is the country’s international radio broadcaster, Voice of Nigeria. It has moved into a building in Nigeria’s federal capital, Abuja, that was owned by disgraced former defence chief, Alex Badeh, from whom a further four buildings and  one million dollars in cash were seized.

The office building – which allegedly had a nightclub fitted out in its basement – was handed to Voice of Nigeria in June 2019 and many of the broadcaster’s staff moved to the new headquarters in November.

The new headquarters building is located at Plot 1386, Oda Crescent, Cadastral Zone A07, Wuse II, in Abuja.

 

 

Al Jazeera English revamp

Al Jazeera English revamp

Al Jazeera English revamp

Al Jazeera English has launched its new and refreshed on-air branding and studio. The refresh project enhances news, programmes, broadcasting, and operational features.
The channel’s  renovated newsroom incorporates a state-of-the-art studio set, décor, an expanded video wall and a presenter desk that rotates through 270 degrees with enhanced lighting capabilities. This setup allows for camera positions to be utilised with reverse shots into the newsroom. In addition, revised on-screen graphics feature creative elements with new colour themes.
“We are excited to be starting the new decade with a refreshed look,” said Giles Trendle, Managing Director of Al Jazeera English. “This has involved the renovation of our studio and news room in Doha and the creation of some new on-screen features based on internal consultation as well as employee and audience feedback.”
Commenting on the refresh, Duncan Preston, Head of Global Creative, said, “This has been an amazing project, a huge effort has been made by all departments, coming together with one vision; the aim of creating a more dynamic, modern and fresh on-screen presence that will really enhance and promote the Al Jazeera brand as we move into a new decade”.
Reflecting on the project, Russell Maguire, Programs Manager for the Projects Directorate under Technology and Network Operations Division, said: “This has been a complex project to implement as maintaining on-air continuity is of paramount importance combined with the need to push on and deliver against an aggressive time constraint”.
The refresh project is the result of an initiative to enhance Al Jazeera English’s studio and newsroom to bring it up to the modern look and feel of Al Jazeera Media Network. 

AIB launches new online look

AIB launches new online look

AIB launches new online look

As we enter the 2020s, the Association for International Broadcasting has updated its website to a more contemporary theme. At the same time, we have streamlined some of the content to make navigation easier with the most relevant information made more accessible with fewer clicks.

“Changing a website is a major undertaking for any organisation,” commented Clare Dance, AIB Secretariat Co-ordinator. “We’ve carried out a full-scale review of the site and its appearance, and over the New Year period we have carried out all the design and content changes in-house. We welcome feedback from our website users who should now find the site much more flexible as it’s designed to work on all devices, from large desktop screens to mobile phones.”

There may be some issues of failed links as we continue to upgrade and improve the site and we’d welcome hearing about any problems that users discover as they access the site.