Winners of the AIBs 2020 announced

Winners of the AIBs 2020 announced

Winners of the AIBs 2020 announced

Two-part programme showcases all finalists and reveals winners of the AIBs 2020

The Association for International Broadcasting has revealed the winners of its international competition for journalism and factual productions across TV, radio and digital platforms.

Over two programmes, clips from all shortlisted entries were showcased to a global audience. The programmes were hosted by Kim Vinnell, presenter on Al Jazeera English.

“We wanted to make sure that the work that entrants entrusted us with was showcased as effectively as we do in our traditional live event,” says Clare Dance, producer and coordinator of the AIBs. “We had to overcome many challenges as with finalists from all over the world, we could not possibly expect nominees to stay up all night to take part. Instead, we devised questions to all 120+ finalists asking about particular aspects of their production or journalism. Then we used these ‘as live’ in our show. None of the entrants knew in advance whether they’d won, as we were determined to keep the sense of anticipation alive.”

The two programmes – which can be seen on the AIBs website (www.theaibs.tv) – followed the format that the competition has established over the past 16 years. They included signature segments, including the “in conversation” element.

Winners include:

AFP

Al Jazeera Digital

Al Jazeera English

BBC Northern Ireland

BBC Radio 4

BBC World Service

Channel 4

CNA, MediaCorp

CNN

Deutsche Welle

ITN Productions

New Normal Culture

Perfect Storm Productions

Sky News StoryCast

TBI Media

Tortoise Media

VRT

Wild Pacific Media

Full information on all winners and highly commended nominees is in the AIBs Winners and Finalists book, available online.

The two-part programme can be seen at theaibs.tv

The AIBs 2020 event partner is Al Jazeera Media Network.

The sponsor of the Natural World and Science & Technology Awards is Radio Taiwan International

CNA MediaCorp named AIB Channel of the Year

CNA MediaCorp named AIB Channel of the Year

CNA MediaCorp named AIB Channel of the Year

Singapore-based pan-regional broadcaster praised for clear and coherent news editorial values

CNA from Singapore’s MediaCorp has received the prestigious accolade of Channel of the Year at the AIBs 2020, the international competition for journalism and factual productions.

Announced during an online TV show screened globally, the award recognises CNA’s the varied range of content that the channel delivers to its audiences as well as its clear cultural identity at the heart of Asia.

“It is great to see CNA named the AIB Channel of the Year,” says Simon Spanswick, Chief Executive of the Association for International Broadcasting. “Our international panel of judges were impressed by many aspects of CNA’s work. They noted the meaningful engagement with multiple social media platforms and the compelling on-air presenting team across the channel’s output. The recognition by CNA’s peers in media companies worldwide is significant and well-deserved.”

Each year the AIB Channel of the Year award attracts nominations from broadcasters in all parts of the world. This is the first time that a channel based in Asia has been the recipient of this important award.

CNA news anchor and senior producer Dawn Tan told the AIBs awards show audience that for the past two decades, the channel has worked to represent the cultural, ethnic, historical and political diversity that Asia enjoys. You can watch Dawn Tan’s interview in the AIBs awards programme at www.theaibs.tv.

Previous recipients of the AIB Channel of the Year award include Bloomberg Television, Al Jazeera Children’s Channel and CNN International.

BBC Africa Eye investigation receives AIB Impact Award

BBC Africa Eye investigation receives AIB Impact Award

BBC Africa Eye investigation receives AIB Impact Award

Undercover reporting by 12 female journalists captures shocking sexual harassment in West African universities

The Association for International Broadcasting has given its Impact Award to BBC Africa Eye for its year-long investigation – Sex for Grades – which triggered a rapid high-level reaction to the epidemic of sexual harassment of women students in top universities in Nigeria and in Ghana.

The investigation, which involved highly risky secret filming by 12 young women journalists, provided prima facie evidence of sexual misconduct that led to the suspension of a number of senior lecturers at the University of Lagos and the University of Ghana.

The undercover reporters exposed the existence of a so-called “Cold Room” within the senior staff club at the University of Lagos where women students were allegedly groomed and groped by academic staff.

The AIB Impact Award – sponsored by Al Jazeera Media Network – was presented to Lagos-based BBC journalist Kiki Mordi and BBC World Service producer Charlie Northcott as part of the AIBs 2020.

“This was a remarkable investigation with real-life consequences for those abusing their positions of power in West African universities,” says Simon Spanswick, Chief Executive of the Association for International Broadcasting. “BBC Africa Eye gathered irrefutable evidence that led to the creation of a Sexual Offenders Register in Nigeria and has also brought criminalisation of sexual harassment by university lecturers closer to being placed on Nigeria’s statute books. The AIB Impact Award is well-deserved and the AIB sends its congratulations to the BBC Africa Eye team for its bravery, determination and perseverance in telling this story.”

The AIB Impact Award is given to programmes or series that have delivered a significant, measurable impact. Sex for Grades exceeded all the requirements for consideration for the AIB Impact Award in 2020.

The coronavirus pandemic prevented the holding of the traditional live awards event in London. Instead, the AIBs were presented during a two-part TV programme hosted by Kim Vinnell, presenter on Al Jazeera English.

These are available to view at www.theaibs.tv, including, in part two, an interview with Sex for Grades journalist Kiki Mordi [on screen, from Lagos] and BBC World Service producer Charlie Northcott.

Media Freedom Coalition – Advisory Network | Statement as Global Conference opens

Media Freedom Coalition – Advisory Network | Statement as Global Conference opens

Media Freedom Coalition – Advisory Network | Statement as Global Conference opens

Statement by the Media Freedom Coalition – Advisory Network to the Global Conference for Media Freedom Ministerial Meeting

November 16, 2020

Honourable Ministers and Media Freedom Coalition members, 

 The Media Freedom Coalition Advisory Network is a group of 17 national, regional and international organisations that in collaboration with a much broader set of civil society groups, provides advice on the work of the MFC and facilitates selection of cases that require diplomatic intervention.

Media freedom has never been more important given the COVID-19 pandemic, and the need for people to have access to accurate information and for moral leadership has never been as evident. 

We are concerned by states putting in place disproportionate restrictions on independent media, including through internet shutdowns, expulsions of foreign correspondents, arbitrary arrests, harassment and vilification of journalists and other forms of censorship. There is also real urgency surrounding the economic impact of the pandemic on the media that is adding increased pressure.

The hope of the Advisory Network is to see more concrete action by the MFC in order to justify the time and effort that MFC-AN members currently devote to this initiative. Our colleagues and stakeholders are expecting us to deliver on our promises and we want to, but that takes a shared approach. 

Therefore, we would like to recommend the following:

Enable a free and safe environment for media, journalists and media workers and press freedom and journalists’ groups 

  •     Commit to supporting enabling legislative, policy and regulatory environments that ensure freedom of expression, media freedom, and free, independent and pluralistic media and enable a safe environment for media, journalists and media workers, and press freedom and journalists’s groups including by putting in place protection mechanisms or measures; 
  •     Any measure taken by States to address COVID-19 should comply with international human rights law that follow the principles of legality, necessity, proportionality and non-discrimination. Specifically, the use of surveillance initiatives must have proper oversight, be clearly limited to tackling the pandemic and subject to regular scrutiny, and include sunset clauses for when they expire;
  •     Publicly condemn the denigration of journalists by officials and public figures and acts of offline and online violence and legal harassment and speak out and raise awareness about the vital role of journalism for democracy; 
  •     Take concrete action to implement all relevant international standards related to the safety of journalists nationally, consistently raise and coordinate on this issue at the UN, international development organisations such as the World Bank, and regional bodies, and provide advice, technical assistance, and where necessary, diplomatic and other pressures to encourage other states to do the same.

 End violence and impunity  

  •     Ensure impartial, thorough, independent, effective and transparent investigations into all threats and acts of violence against journalists, with a gender-responsive approach, including support for the creation of constructive communication channels between media and security forces;
  •     Prosecute all those responsible for crimes against freedom of expression including threats and violence against journalists; 
  •     Support efforts to reduce the global rate of impunity for crimes against journalists, including international accountability mechanisms such as a UN standing instrument for investigations, the use of universal jurisdiction to try cases, and targeted sanctioning regimes, among others;
  •     Commit to free imprisoned journalists and refrain from pre-trial detention during COVID19.

 Respect media freedom while tackling disinformation 

  •     Efforts to combat disinformation and “fake news” must start with governments, which should not criminalize this but also must commit to not perpetuating disinformation and fake news;
  •     Counter the criminalisation of journalism through so-called anti-fake news laws and anti-terrorism laws;
  •     Promote media engagement in countering disinformation by expanding access to information mechanisms and by supporting journalistic investigations revealing the sources and dissemination patterns of disinformation and highlighting the role of government representatives in spreading disinformation.

 Commit to support media development and sustainability 

  •     Media freedom depends on media development and journalistic freedom rests on the survival and independence of the institutions on which journalism depends. Just 0.3% of international development assistance is currently dedicated to media support. Firmly position support for the sector within overall international development assistance and governance support and make funding available to journalism and media, especially in low and middle-income countries. This funding should be for greater institutional support, capacity building and flexible, longer-term funding.
  •     Work with regional and local organisations and authorities to create mechanisms to support local public interest journalism (especially in “news deserts” and areas where the public is underserved), accountability and investigative reporting, as well as innovation related to new hybrid business models.
  •     Ensure that any direct or indirect subsidies or other forms of financial support to the media are granted on the basis of objective, fair and neutral criteria, in the framework of non-discriminatory and transparent procedures, and implemented with full respect for the editorial and operational autonomy of the beneficiary media. New funding models and legal structures must be encouraged by governments in this logic of sustainability in cooperation with civil society and actors of the sector;
  •     Address digital market failure and the regulatory disparity between digital platforms and overly regulated media businesses in order to create a level playing field for media.

Ensure an effective, impactful and diverse MFC

 The Media Freedom Coalition (MFC) should take the lead in promoting media freedom in their own States and discouraging States from taking measures that would restrict freedom of expression and media freedom in violation of international standards.

As the coalition moves forward, we call on the MFC members to promote and defend media freedom everywhere by:

 

  •     Ensuring the MFC and its members fulfil the commitments expressed in the Global Pledge on Media Freedom, which means taking concrete actions and effective measures to improve the media freedom situation both at home and abroad.

 

  •     Working towards a more diverse and pluralistic MFC membership and increased participation from the global South, also making sure members meet MFC’s standards on media freedom. The MFC also needs greater regional balance in the composition of its Executive Group.

 

We are heartened knowing that as signatories to the Global Pledge on Media Freedom, members have made the commitment to work together in taking action to improve the media freedom environment and the safety of journalists. There is great potential in this collaboration which could harness our combined energies in meaningful and creative actions to address the issues and challenges relating to freedom of expression. 

You have a great responsibility in your hands to make concrete commitments for future actions to ensure media freedom globally.

Media Freedom Coalition Advisory Network (MFC-AN) members:

  1. ARTICLE 19, Silvia Chocarro (Co-chair)
  2. Association for International Broadcasting, Thomas Wragg
  3. Committee to Protect Journalists, Courtney Radsch
  4. DW Akademie, Jan Lublinski
  5. FLIP, Jonathan Bock
  6. Frontline Freelance Register, Sarah Giaziri
  7. IFEX, Rachael Kay (Co-chair)
  8. International Federation of Journalists, Jeremy Dear
  9. International Media Support, Jesper Højberg
  10. International Press Institute, Barbara Trionfi
  11. Internews, Jodie Ginsberg
  12. Pakistan Press Foundation, Owais Aslam Ali (Co-chair)
  13. Palestinian Center for Development and Media Freedoms, Mousa Rimawi
  14. Public Media Alliance, Sally-Ann Wilson
  15. Reporters without Borders, Rebecca Vincent
  16. The Guardian, Gill Phillips
  17. WAN-IFRA, Andrew Heslop 
The post-Brexit licensing conundrum

The post-Brexit licensing conundrum

The post-Brexit licensing conundrum

​Volker Schmits of AIB member firm SCHMITSPARTNERS looks at the issues for broadcasters with UK or EU channel licences wanting to continue targeting audiences in the UK or EU Member States

In three months – at the end of the transition period on 31 December 2020 – Brexit will be in full effect and the UK will leave the European Union.

Whilst the UK government and the Commission are still working on the wording of a Trade Deal, the English position prevailing since the Chequers White Paper of July 2018 has ultimately been accepted by the EU: There will be no mutual recognition of broadcasting licences between the UK and EU countries after the end of this year.

What might be regarded as merely a matter for the national media regulators and their market supervision, can directly affect the relationship between channels and have an impact on the liability of network operator: (i) Any television channel that is actively doing business in the EU without a proper licence is likely to violate national unfair competition laws and thus could be challenged by a law abiding competitor. And (ii) most aggregators, platforms and channel distributors are contracting with duly licenced broadcasters only in order to minimize their liability for violations of third party rights in the programme.

Quite a number of major television stations have relocated from the UK to the EU continent during 2019 and 2020. Discovery, Viacom CBS, Sony Pictures, DAZN and others have found new regulatory home bases for their international channels – predominantly in the Netherlands, Spain, Czech Republic but also in Germany and on Malta.

For those OFCOM regulated channels that are still balancing the pros and cons, on 30 January 2020 the UK regulator published a document entitled Frequently asked questions on linear television services and video on demand services after Brexit.

To some extent, this document is proposing that OCFOM licenced broadcasters should rely on the European Convention on Transfrontier Television of May 1989 (“ECTT”) for their distribution into the EU in future.

We believe that this approach may result in legal difficulties for the respective channel:

  • There are certain countries in the EU that have not signed the ECTT, namely Denmark, Greece, Ireland, Luxembourg, the Netherlands and Sweden.
  • The ECTT does not have any enforcement or dispute resolution mechanisms built in.
  • Many aspects of the 21st century TV business are not addressed at all by the ECTT (on demand/non-linear services, cable and satellite collective music rights matters, catch-up) -leaving aside all provisions that needed to be implemented into the member state’s legislation under the EU Audiovisual Media Services Directive of 14 November 2018.

SCHMITSPARTNERS has assisted numerous international broadcasters to identify the best suitable EU jurisdiction and to acquire a television broadcasting licence (see also www.broadcastinglicence.com).

In light of this experience, we would argue that there are multiple solutions and many can be tailored to the current circumstances of the channel. An OFCOM regulated channel does not necessarily need to relocate entirely: even a third party aggregator or a cross-licensing concept could eventually serve the broadcaster’s purpose.

In any case, the remaining weeks in 2020 are still more than adequate to apply for and receive an EU licence by a national regulator.

For more details contact v.schmits@schmitsparters.com / T +35699333920​

Shortlist for the AIBs 2020 published

Shortlist for the AIBs 2020 published

Shortlist for the AIBs 2020 published

Journalism and factual programmes from 18 countries shortlisted in the AIBs 2020

Work from 49 broadcasters and production companies selected to be judged by international panel of experts in 21 countries

London | 24 September 2020

The Association for International Broadcasting has announced the shortlist for its annual competition that celebrates journalism and factual productions on television, radio and digital platforms. Each year since 2005, the work of journalists and producers around the world has been recognised in this global competition and in 2020, the AIBs have attracted as wide a range of entries as ever.

“We thought long and hard about whether it was appropriate to hold our 16th annual competition in 2020,” says Simon Spanswick, AIB chief executive. “The conclusion we reached, and one that is shared by the international broadcasting and production community, is that it’s even more important that the work of those bringing the most important stories into our homes, to our radios or to our mobile devices is recognised this year. Understandably, there were many submissions focusing on coronavirus. But many other subjects were covered as well, demonstrating the outstanding range of work that is produced every day to keep the public informed wherever they are in the world.”

The stories entered in this year’s AIBs are diverse, from coverage of the Australian bush fires to the celebration of Beethoven’s ninth symphony, corruption in Africa’s university system to the Hong Kong pro-democracy demonstrations, talk shows in Syrian refugee camps to the real price of your cup of coffee.

There are 20 categories in the AIBs 2020, including:

TV and video categories

  • Arts and culture
  • Human interest
  • Natural world
  • Science and technology
  • Domestic affairs documentary
  • International affairs documentary
  • Investigative documentary
  • Politics and business
  • Short documentary
  • Single news report
  • Continuing news reporting

Radio and audio categories

  • Arts and culture
  • Human interest
  • Investigative documentary
  • News reporting
  • Factual podcast

Specialist categories

  • Channel of the year
  • News agency of the year
  • Young journalist
  • Impact

“We are honoured that so many broadcasters and production companies have chosen to showcase their output in the AIBs in this difficult year,” continues Simon Spanswick.  “Our judges now have the extremely hard job of selecting which of the shortlisted work is the very best in each category and my colleagues and I wish the judging panel good luck as they evaluate the entries. Of course, I also wish all the nominees the very best of luck in this final stage of the competition.”

The results of the AIBs 2020 will be announced in a two-part programme that will be released on 13  and 16  November. The Association for International Broadcasting is currently working with event partner Al Jazeera Media Network to devise our virtual awards show that will maintain the depth and breadth of our traditional live event, and that showcases all the shortlisted entries. As usual, the absolute secrecy that surrounds who has won will be maintained until the special awards programme is released.

“Like everyone, the AIBs have had to adapt to cope with the very different environment we find ourselves in,” says Simon Spanswick. “We fervently hope that in 2021, we will return to our time-honoured live event that draws together the international media industry for an evening of celebration. Until then, we’re working to deliver the very best virtual awards for all our entrants and observers.”

The complete shortlist is available online at https://theaibs.tv/AIBs-2020/shortlist-2020/AIBs-Shortlist-2020-3.pdf and a copy appears from page 4 of this release. Highlights of the AIBs 2019 can be seen at https://vimeo.com/383583268/c425f5b9fe.