UK Royal Wedding media briefing

UK Royal Wedding media briefing

HRH Prince Harry will marry Meghan Markle on Saturday 19 May 2018. There is intense interest in this event from the news media around the world, particularly since the bride is a well-known actress.
The wedding will take place in Windsor, to the west of London. Thames Valley Police which is in charge of security at the wedding has asked the Association to tell our Members and the wider media industry about a media briefing that is taking place on Wednesday 28 March. The purpose of the briefing is to explain the Force’s role in policing the wedding, highlighting a number of its security operations in the build-up to the event as well as outlining media opportunities in advance of the wedding.
This is a non-reportable briefing designed to provide broadcasters with background information on the policing operation and discuss forthcoming media opportunities. Assistant Chief Constable David Hardcastle, who is the strategic lead for the policing of the wedding, and Superintendent Jim Weems, the tactical lead for the policing of the wedding, will be at the briefing to provide background information and answer any questions AIB broadcaster Members may have.
To confirm your attendance, or for more information, please e-mail james.williams [at] thamesvalley.pnn.police.uk before midday GMT on Thursday 22 March.
Trust in broadcast increasing as it falls in social

Trust in broadcast increasing as it falls in social

A new study by the EBU Media Intelligence Service shows that:

  • Broadcast media and print media “increased their level of trust compared to last year, the Internet and social media lost even more trust. The trust gap between broadcast and social media is widening.” Level of trust in print media is at a neutral level (0%)
  • Broadcast media are trusted: “out of the 33 countries surveyed, radio is the most trusted media (overall trust index +25%) in 24 countries, and TV (overall trust index +6%) in six countries”
  • Social media are by far the least trusted media: in 28 out of 33 countries, social networks are the media people trust the least (overall trust index -42%), followed by online media (-17%). The majority of these countries are Western European.
  • Over the 2012-2017 period radio and TV always ranked as the most trusted. Print media recovers from overall trust index of -14% to level (0%). Online and social media overall trust index keeps declining to all-time-low levels from, respectively -9% to -17% and -33% to -42%
Quality for less than the cost of a cup of coffee a day!

Quality for less than the cost of a cup of coffee a day!

Swiss voters reject initiative to scrap the country’s licence fee-funded broadcasting model

British licence fee payers have to pay £147 a year (and soon £150.50) for access to a rich and diverse offer of public broadcasting services. What would they decide if they were asked (by popular vote) to continue paying not £150, but £345 a year for such services?

This was the choice facing Swiss voters on 4 March, following a popular initiative aimed at scrapping the licence fee and replacing it with more advertising revenues, a subscription-based, a pay-per-view, or another undefined funding system. A clear majority, 71.6%, rejected the initiative, reports Morand Fachot.

Opponents had no clear system in mind

The aim of the “No Billag” initiative (named after the licence fee collecting institution) was to change Article 93 of the Swiss constitution on “Radio and Television” to prevent the government from collecting a licence fee and from providing subsidies to radio and television stations.

Those behind the initiative claimed that it would allow citizens “who prefer to buy newspapers, books, pay for their studies or make a donation to an NGO”, to do so rather than pay a licence fee.

Swiss public, and to a significant degree also private local and regional, broadcasting relies on the licence fee.

Complex and diverse media landscape

The Swiss broadcasting (and media) landscape is complex owing to the country’s regional and linguistic diversity (with four national languages), and its proximity to three very large broadcasting markets (Germany, France and Italy – in addition to Austria), which share three of these same languages.

The latest available survey of national languages shows that German is the main language for 63% of the population, followed by French (22.7%), Italian (8.1%) and Romansch (0.5%), Non-national languages (mainly Portuguese and English) are used by some 21% of the population.

Ensuring similar levels of access to public broadcast services in four national languages for all citizens is a complex and costly undertaking in a country of barely 8.5 million. This task falls mainly on SRG SSR, the Swiss Broadcasting Corporation (SBC), which is funded by a compulsory contribution (licence fee) of 451 Swiss francs (CHF) a year (around £345) per household for radio and TV.

However, this licence fee doesn’t fund SBC only but also 34 local TV and radio stations, which complement public and commercial broadcasting, operate on a non-profit basis and offer access to media training and production facilities.

Some 13,000 jobs depend directly and indirectly on SBC.

The licence fee provides nearly 75% of SBC’s total budget of some £1.25bn, advertising and sponsoring making up about 17% of the overall budget.

A solidarity-based distribution of this budget is aimed at making “an important contribution to national cohesion, mutual understanding and dialogue between the language regions.”

Although the German-speaking part of the country collects some 73% of the licence fee, it receives only 43% of it to fund its German-language radio and TV broadcaster, SRF.

The French-speaking region, which collects 23% of the total fee, receives 33% of the total for its RTS service. The Italian-speaking part, which collects 4% of the total, is allocated a 22% share. As for the Romansch-speaking region service it collects 0.5% of the overall licence fee for a share of 2% of SBC’s budget.

SBC Director General Gilles Marchand stressed that this budget-sharing system, based on solidarity, allows the three main linguistic regions to benefit from similar levels of services irrespective of their economic or demographic weight.

Multiple services – wide audience

SBC broadcasts seven TV channels: a news channel in German and two general interest channels in each of the three main national languages.

It also operates 18 radio stations and a rich online offer in the national languages.

SBC’s reach extends beyond the country’s borders thanks to its online international service in 10 languages Swissinfo (funded equally by SBC and the confederation) and to its participation in international services.

SBC programmes are also broadcast on the global Francophone TV5Monde network, of which SBC is a shareholder, and on 3sat, the German-language network set up by German, Austrian and Swiss public broadcasters.

Taking into account unlimited access to hundreds of TV channels and radio stations from neighbouring countries that share languages with Switzerland, audience figures (share and reach) for the radio and TV services of the three main language SBC networks are very respectable and show them as clear leaders in their respective markets.

For instance, 93 out of the 100 most-viewed programmes on RTS in 2017, were RTS productions.

Meeting the challenge

According to the latest opinion polls, a clear majority emerged against the initiative after the opposite trend was recorded in late 2017. People realized that, in the words of Marchand, there was no “Plan B” from the No Billag supporters, just a “Plan D” for a complete and final dismantling of the public broadcaster and of the 34 radio and TV stations that depend on the licence fee.

In addition to SBC and dozens of private radios and TV channels that benefit from the licence fee, other organisations and public opinion in general increasingly moved against the initiative.

Other public broadcasters in Europe and beyond viewed this initiative with concern. The European Broadcasting Union (EBU), together with other media organisations, expressed support for the Swiss public broadcasting system. EBU Director General Noel Curran said: “We should do all we can to ensure that public service broadcasting in Switzerland continues to provide an independent, diverse voice in an increasingly complex and divisive world.”

Lack of credible arguments

The arguments put forward by the No Billag supporters lacked credibility, it would have been unconceivable to fund public broadcasting services in three [four] languages through advertising only in a relatively small market like Switzerland.

According to PwC SBC netted 48.6% of the revenues of Swiss advertising market for radio and TV in 2015. The share of foreign broadcasters was just over 42% and “continued to limit the potential of private Swiss channels” (9% in 2015).

SBC has a positive economic impact in the country. It will invest more than CHF 900m in the country in the next 10 years, according to Marchand.

A report by BAK Economic Intelligence, shows that each franc from the licence fee generates CHF 1.42 in added value, and each million CHF collected results in the creation of 10 jobs in the country.

Communication Minister Doris Leuthard (pictured) said that the licence fee would be lowered from its CHF 451 a year per household to CHF 365 (CHF 1 a day) from 2019 onwards.

As its funding will come under pressure SBC put forward a series of measures.

These include a CHF 100m francs (£77m) efficiency plan, with CHF 80m coming from reinvesting CHF 20m of savings internally.

The advertising ban for SBC online services will continue and SBC decided also not to offer targeted advertising in the regions.

A representative of private radio and TV stations has called for increasing the share of the licence fee allocated to these stations from the current 5% to 10%.

Beyond the economic impact, always difficult to convey to any public anywhere, what seems to have moved a clear majority in favour of keeping the current licence fee-based funding model was the wish to preserve a system that faces tough challenges from international operators, but has always managed to provide high-quality programmes, is well-liked by listeners and viewers and contributes also to social and national cohesion.

A very small price to pay for the equivalent of 95 pence a day per household, less than the price of a cup of coffee…

New head for CCTV

New head for CCTV

Shen Haixiong has been appointed as the new head of China Central Television (CCTV), the 12th director of the state television broadcaster.

The 50-year-old worked for 26 years at Xinhua News Agency and later served as a member of the Standing Committee of the CPC Guangdong Provincial Committee and Head of the Guangdong Publicity Department from 2015.

Shen succeeds Nie Chenxi, who has been CCTV head since 2015.

Jamie Angus to head BBC World Service Group

Jamie Angus to head BBC World Service Group

Jamie Angus has been appointed as Director of the BBC World Service Group.

Jamie is currently Deputy Director of the World Service Group and Editorial Director of BBC Global News Ltd (GNL). He has been Acting Director of the World Service Group since the beginning of this year.

As Director, Jamie will lead the BBC’s global news services – BBC World Service, BBC World News and BBC.com – as well as BBC Monitoring. The BBC’s global news services have a weekly audience of 346m and the BBC World Service is currently undergoing its biggest expansion since the 1940s.

Director of BBC News and Current Affairs Francesca Unsworth says: “The BBC’s international news services are more important than ever, and Jamie brings huge editorial and leadership expertise to the Director role. He has a clear and strategic vision for the future of the World Service Group – both editorially and for our commercial services.

“The BBC World Service plays a unique role for the BBC, for Britain, and across the world, and I am confident it has an exciting future under Jamie’s direction.”

Jamie Angus says: “It’s a great honour to be appointed as World Service Director. There’s never been a greater need globally for the BBC’s independent, creative and engaging news services. With the expansion to 41 language services, we are already reaching new audiences everywhere; our English services on TV radio and online remain the gold standard for international news.

“With global concern growing about disinformation, ‘fake news’ and media literacy, the World Service Group has never been in a stronger position to show the way forward. We spot the stories, see the patterns and make sense of the world for our audiences. I’m very pleased to be able to lead that mission in the coming years.”

Jamie was previously the editor of Radio 4’s Today programme, covering high profile stories including the 2015 UK General Election, Scottish Independence referendum and the EU referendum. Under his leadership Today reached record audience figures of 7.4m and won an ARIA Radio Academy gold award for best National Speech Breakfast Programme.

Jamie joined the BBC in 1999 and was previously acting editor of Newsnight, editor of World At One and The World This Weekend, and editor of Daily News Programmes on World Service radio. He worked for the World Service Group in 2010-12 where he commissioned and launched new language TV bulletins in Urdu, Hindi and Swahili and the daily Focus on Africa TV bulletin, and worked on attachment as head of the World News newsroom.

His appointment follows a competitive recruitment process. Jamie replaces Francesca Unsworth, now Director of News and Current Affairs.

The biggest media stories in December

The biggest media stories in December

 

Making the greatest number of headlines in the media trade press and in the global consumer press is undoubtedly the news that 21st Century Fox has agreed to sell its entertainment business to Walt Disney. It’s an immensely expensive deal, with US$66.1bn in play for the Fox assets, assuming that the deal is cleared by regulators.

It is fitting that the deal was announced in the week of the premiere of the latest Star Wars movie. If the deal completes, Disney will become the largest media company in the world – with an empire that stretches from ABC, ESPN and A+E to Mickey Mouse and out into a galaxy far, far away.

Murdoch will continue to own the US Fox News and Sport assets; Sky in the UK – which produces Sky News – will become part of Disney. Star, serving audiences in the growth markets of Asia, will also be part of Disney enabling them to become a prime supplier of entertainment and sport to what will become increasingly valuable – and populous – markets.

Media observers have been discussing the future of reportedly loss-making UK-based Sky News after the Disney acquisition. Whilst Disney is most likely to be interested in access to sports fans via Sky Sports, and Sky’s movie channels and services, Sky News could be an interesting addition. It has the potential to extend ABC News’ international newsgathering capabilities, helping to bolster its output in the USA against rivals including, of course, Fox News which will remain a Murdoch operation.

Disney has made no secret of its intention to launch a rival to Netflix in 2019. It will gain a 30% stake in Hulu through the deal, which it could integrate into its planned OTT service. Disney’s movie portfolio will cease to be carried on Netflix – and presumably other streaming services – when its own service launches. This new deal provides immense marketing opportunities for Disney that could enable it to eclipse Netflix and other operators providing streaming services.

We believe that there will be many episodes to this story, so it could be a good time to order lots of popcorn.

TVN fine

 

A high value fine was imposed on Poland’s TVN this month. The Polish media regulator, KRRIT, fined TVN24 €350,000 for allegedly violating the country’s Radio and Television Act. The regulator said that TVN24’s coverage of anti-government protests in Warsaw at the end of last year promoted “illegal behaviour that posed a threat to public security”.

TVN, which was founded in 1997, has protested that the fine is unwarranted and says that it will appeal. TVN is owned by USA-based Scripps Networks Interactive.

TVN has been joined in protests against the regulator’s decision by the European Parliament and the US State Department, as well as local media in Poland. Gazeta Wyborcza, a daily newspaper, described the fine as “giant” and “unprecedentedly high”. The US State Department said: “The United States is concerned by Poland’s decision to fine the private TV broadcaster TVN for alleged biased reporting of demonstrations outside parliament last December. This decision appears to undermine media freedom in Poland, a close ally and fellow democracy. Free and independent media are essential to a strong democracy.”

The fine comes at a time when Poland is slipping down the list of countries that have free media. It is now described as only partially free by Freedom House, while Reporters Without Borders’ global ranking of press freedom has seen Poland has fall to 54th from 18th in 2015.

It’s perhaps worth noting that Poland has been pressing in European debates to change the Audiovisual Media Services Directive to allow regulation of channels in the country of reception, rather than country of origin. The Country of Origin rule is one of the cornerstones of European media regulation.

The issue of media freedom is one that will be discussed in a high-level conference that the AIB is planning for late February 2018. More details will appear on the AIB website shortly.

Mauritania

 

It’s a country twice the size of France, yet has a population of just 4.5m. It’s mainly desert, and is on some governments’ lists of “only travel there if essential” destinations. And now it’s in the media news as the head of state-run Radio Mauritanie has been dismissed for fraud.

In a country where the average household income is well under US$500, general manager Abdallahi O. Hormetalla has been dismissed for allegedly making fraudulent payments totalling 33m Mauritanian Ouguiya – around GBP70,000, mostly to relatives and fictitious companies likely controlled by relations. The annual budget of Radio Mauritanie is understood to be around GBP1.77m. Hormetalla, who had been appointed in 2016, has been replaced by presidential adviser Abdallahi O. Ahmed Damou.

Journalists under pressure

 

Journalists trying to cover stories in Bahrain and Kyrgyzstan have been barred from entering the countries over the past few weeks, while in Myanmar, they’ve been sentenced for illegal filming.

A Tel Aviv-based US journalist working for Al Jazeera has been accused of trying to enter Bahrain illegally, the country’s Ministry of Information Affairs said in the first week of December. The journalist, a correspondent for Al Jazeera in Iraq and Israel, arrived in Bahrain without, it is claimed, having applied for a media visa and without possessing an invitation from the organisers of the event he was reportedly planning to cover, the Ministry said.

The Kyrgyzstan government used similar tactics against AFP journalist Chris Rickleton (pictured). He reportedly has been barred from the country for “breaking the visa regime”. Rickleton has lived in the Kyrgyz capital Bishkek with his wife and daughter, who have Kyrgyz citizenship, since 2010. Rickleton has appealed to President Jeenbekov to lift the ban on his entering the country.

In Myanmar, two journalists working for TRT WORLD have been jailed for two months for allegedly contravening the country’s Aircraft Act. Singaporean Lau Hon Meng Malaysian Mok Choy Lin, as well as their local interpreter Aung Naing Soe and driver Hla Tin, were detained on October 27 while filming a programme for TRT WORLD. They were accused of trying to use a drone to record video images of the Hluttaw, or House of Representatives building, in the Myanmar capital allegedly without permission.

According to TRT WORLD, Lau and Mok had entered Myanmar on journalist visas on October 21. They were filming a documentary and had “shot in various locations with conventional cameras as well as with a drone, up until October 27”.

“The Myanmar Information Ministry was previously informed about all filming activities and the filming schedule,” TRT World said.

“According to information TRT World has gathered from local journalists who are in touch with Myanmar security officials and our team, our crew wanted to film the Parliament building in the capital with a drone after conducting an interview with a member of Parliament. They were detained by security officials before flying the drone.”