DW’s TV highlights in August

DW’s TV highlights in August

DW’s TV highlights in August

DW’s high-summer TV highlights includes top documentary picks, plus the latest Bundesliga news from “Kick off!” and three upcoming shows to look out for soon.

 

Afrimaxx

Premiere | August 5

DW is set to roll out the new format “Afrimaxx” on August 5. An African adaptation of the popular DW lifestyle magazine “Euromaxx”, the format promises an eclectic line-up of episodes featuring the continent’s most-inspiring and character-driven creatives from the world of fashion and design through to architecture, art, food and travel. With South African host Ayanda Thabethe keeping a keen eye on current trends, the show follows updates on everything game-changing in Africa and charts the hotspots and latest arrivistes on Africa’s lifestyle scene, from under-the-radar start-ups to well-known brand names. Released every Friday.

Mahatma Gandhi’s Legacy – Where Is India Headed?

Premiere | August 6

Ahead of India’s 75th year of independence, DW presents a two-parter that explores Gandhi’s special brand of non-violent resistance that paved the way for India’s independence from British colonial rule in 1947. The documentary reveals more about the religious pluralism espoused by Gandhi that shifted power dynamics in the country, and how fast forward to today, the political narrative moves tentatively towards an India fuelled by Hindu nationalism. What lessons can be drawn from Gandhi’s legacy that could help reshape modern-day India? Stay tuned.

Kick off!

DW Magazine | August 9

August is a big month for the Bundesliga fans, as the 2022/23 Bundesliga campaign kicks off August 5 and clubs across Germany begin their pre-season preparations. DW’s magazine “Kick off!” has the low-down on the latest outgoing and new-coming stars and returnees. It also features what’s in store for this year’s Berlin derby and why this special Bundesliga fixture goes deeper than a footballing rivalry.

Thirst – When the Wells Run Dry

Documentary | August 10, 17, 24

For fans of everything life-science related, here’s a documentary that presents an ominous follow-up to the July news of Europe’s heatwave and Italy’s drought-hit Po River. “Thirst” is a timely documentary that tackles one of the hottest political and scientific topics: the prospect of drought and water scarcity as climate changes. The three-parter packs a powerful punch: the world is on track to blaze, the planet is going to run out of water, and we need to act on climate change. The glimmer of good news is luckily delivered on the third subtitle, exploring “The Last Resources”. Out on Wednesdays starting August 10.

A Mediterranean Journey

Premiere | Aug 14, 21, 28

Sineb El Masrar and Jaafar Abdul Karim pack their bags for DW’s latest TV jaunt “A Mediterranean Journey”. Visiting Middle Eastern countries which have recently witnessed major geopolitical shifts, the duo kick off their travels in the bustling capital, Beirut, exploring the city by bike before ending the first leg of their trip and traveling solo to separate destinations. Sineb embarks on a thrilling road trip across Israel for the first time, getting a glimpse into the world of this multi-faith and multicultural society. Jaafar visits Egypt and crosses the Suez Canal by boat, delving into the history of the site. Two years in the making, our August offering journeys to three out of ten countries everyone’s talking about. You won’t want to miss on these TV moments. Catch on-demand starting August 14.

 

Shahid nearly doubles telecommunications operator partnerships in just 12 months

Shahid nearly doubles telecommunications operator partnerships in just 12 months

Shahid nearly doubles telecommunications operator partnerships in just 12 months

Shahid – the world’s leading Arabic streaming platform (part of MBC GROUP) – has announced that it has nearly doubled its partnerships with telecommunications operators (telcos) in just one year. As a result, the number of user subscriptions for its premium offering, Shahid VIP purchased via mobile payment has more than doubled in just 12 months.

Since Shahid’s relaunch in 2020, the video on demand (VOD) and subscription video on demand (SVOD) platform has strengthened its distribution through telco partners in the Middle East and North Africa (MENA), jumping from 17 by the end of 2020 to over 30 in 2021.

During that time, Shahid has expanded into territories including Morocco, Libya, Tunisia, Iraq, and Palestine, enabling direct carrier billing (DCB) for users to be able to purchase Shahid VIP via their mobile device rather than through a credit card, for example.

EXPANSION & MORE PARTNERSHIPS

DCB is just one of multiple methods users across the region can now enjoy Shahid VIP. For example, Shahid has also actively expanded its distribution through special bundles with telco partners in the region, including with Stc KSA, Zain KSA, Zain Kuwait, Stc Bahrain, Vodafone Egypt, Ooredoo Qatar, Asiacell Iraq, and Omantel. Here, customers of these operators can enjoy complimentary Shahid VIP as part of select mobile and broadband service plans.

Additionally, Shahid has launched an exclusive mobile plan, Shahid VIP Mobile, allowing better offerings for those using a prepaid mobile plan. A budget-friendly single-device package available across MENA, Shahid VIP Mobile is aimed at entertainment fans who prefer to only stream their content on the go. Available for either a single smartphone or tablet device, this special plan was first launched with an introductory two-month trial offer with Orange Morocco and Tunisia in Q4 of 2021, generating significant subscriber uptake. Building on the successful launch with Orange, Shahid VIP Mobile has gone on to already launch with seven operators and is planning more launches in the future in more markets. Multiple telecommunications companies have shown interest in this introductory package as a strong fit for their low Average Revenue Per User (ARPU) subscriber segment.

Natasha Matos-Hemingway, Chief Commercial and Marketing Officer, Shahid commented: “We’re delighted with our telco partnerships so far, and we will continue to create more exciting partnerships to bring Shahid VIP’s outstanding content to more viewers across the region. To have more than doubled our Shahid VIP subscribers in 12 months via DCB alone is phenomenal.

“Thanks to the significant efforts made by the team and our partners, Shahid has launched new and relevant partnerships in key markets that allow users to access Shahid VIP in more ways. This is significant because we want our users to be able to choose from a number of payment methods based on their needs, such as the ease of subscribing through their telecommunications operator.

She continued: “As mobile networks strengthen and speeds get faster than ever in the MENA region, it also makes sense for us to expand on our exclusive Shahid VIP Mobile. Many consumers want an affordable way to watch premium content on the go, and we’ve met that need.”

MBC GROUP is the largest and leading media company in MENA.

[Source: MBC press release]

NHK WORLD Monthly Focus: Idealism+AI=Utopia?

NHK WORLD Monthly Focus: Idealism+AI=Utopia?

NHK WORLD Monthly Focus: Idealism+AI=Utopia?

Teen Regime

Imagine a Japan facing deep stagnation. The government launches the experimental Utopi-AI to revitalize the nation. This involves using artificial intelligence to select new leaders. The AI’s pick is a boy of 17 who heads a leadership team of other youngsters. The aim is to combine the idealism of youth and the wisdom of the past provided by the AI. With an original screenplay by Yoshida Reiko, creator of many hit anime, Utopi-AI offers a bold vision of the future.

August 21 Sun. Ep.1

August 28 Sun. Ep.2

Subtitled 0:10/12:10

Dubbed   6:10/18:10 (UTC)

Artists Against War

Morimura Yasumasa, a contemporary artist who has drawn praise in Japan and abroad, is known for self-portraits in which he poses as well-known figures from history and paintings. In this episode of Artists Against War, we take a look at Morimura’s reaction to Russia’s invasion of Ukraine. Will he use Putin as a starting point for a future work? Join us as we hear his incisive views on how artists should respond to recent events.

 August 3 Wed.

1:30/6:30/12:30/17:30/22:30 (UTC)

Daily Life in Times of War

What was life like during World War II? What can we learn from the survivors? Through interviews, animation and games, young people are trying to preserve their stories for future generations.

August 6 Sat. 

0:10/6:10/12:10/18:10 (UTC)

 

Sharing the Future

Creating the future together. Inspiring stories of projects by Japanese people working with communities in developing countries with new ideas and efforts to help solve issues.

August 3 Wed. 

2:30/7:30/13:30/19:30 (UTC)

[Source: NHK WORLD press release]

 

DW Russian marks 60th anniversary

DW Russian marks 60th anniversary

DW Russian marks 60th anniversary

From radio jamming to partnerships and back again

As DW’s Russian service celebrates its 60th anniversary, its news offer remains blocked in Russia. First introduced during the Cold War, Russia’s renewed attempt at censorship has so far failed.

February and March 2022 saw Moscow bureau shuttered, staff accreditations annulled, website blocked and DW declared a “foreign agent”: the 60th anniversary of DW’s Russian Service marks the return to the Cold War era. “Without our studio in Moscow work has become more difficult for us. There’ s no way to sugarcoat it either. But we have found a way to continue to provide our audiences in Russia with authentic information from and about their country,” says Christian F. Trippe, Director of Programs for Russia, Ukraine and Eastern Europe (pictured).

In response to censorship, the team relocated to Riga, under the direction of Juri Rescheto, and reinforced DW’s Russian-language content, recently offering two new podcasts, DW Novosti Show and Geofaktor. Both multiplatform broadcasts are available online and on medium-wave frequencies (MW). In a way, DW’s Russian Service is back to its roots, having set up its first radio broadcast in August 1962 and its last in 2011.

From the Cuban missile crisis to the war in Ukraine

Operating amid rising East-West tensions is not new to the journalists of “Nemezkaja wolna” (Deutsche Welle), as DW has been known in Russian for decades.

A year into the construction of the Berlin Wall and shortly before the Cuban missile crisis in the fall of 1962, the then Cologne-based DW produced its first broadcasts in Russian. The recent turning point in relations between Russia and the West, caused by the Russian invasion of Ukraine on February 24, 2022, is sometimes compared to the Cuban missile crisis.

DW Russian editorial team pictured in 1978

Soviet emigrants worked in the Russian service, reporting to listeners across the Soviet Union on life in the Federal Republic of Germany and the German view of current affairs. In 1974, DW was the first Western radio station to broadcast chapter after chapter of Alexander Solzhenitsyn’s “The Gulag Archipelago,” a three-volume book banned in the USSR.

“Not emigrants, but bridge builders”

DW’s Russian Service as well as other western broadcasters were varyingly jammed in the Soviet Union. The jamming of the signal, which were used until the late 1980s, was never totally effective and could often be circumvented by changing the frequencies.

After the collapse of the USSR, new staff joined DW. Radio programming became broader, more compact and dynamic, and the advent of the Internet offered audiences a fuller multimedia online content. In post-Soviet Russia and other republics, distribution partnerships were gradually established with regional FM networks.

“I have fond memories working at the Welle in the ’90s. The newsroom was changing rapidly: reading before a microphone gave way to live reports and live broadcasts, with the fresh arrival of relatively young journalists from the new Russia,” says economist Andrey Gurkov, one of the “veterans” of the newsroom. “We didn’t think of ourselves as emigrants; rather, we saw ourselves as bridge-builders, contributing to the rapprochement between Russia, the post-Soviet region, and Europe, the West, through in-depth reporting on the epochal scale of change in politics that was underway.”

“Exemplary editorial response to major journalistic situations”

With the onset of the Russian war on Ukraine, the bridges that DW staff tried to build collapsed, Gurkov said. His colleague Anastasia Arinushkina, who joined the service in 2017, says, “In Germany, we are safe: no one will come to my house at six in the morning with a search warrant. They won’t throw me in jail either, just because I refer to the war against Ukraine as war and not as a ‘special military operation,’ as they have to do in Russia.” The journalist sees this as a special responsibility: “Since we are in such a privileged position and can work according to journalistic standards, we have to do this even better and more thoroughly,” she adds.

Christian Trippe: “Blocking our website in Russia has not resulted in a loss of reach. Quite the opposite: we have gained more users on all our Russian-language platforms. In short, the attempt to silence us has not been successful. This technical censorship doesn’t work in Russia any more than it does in other unfree countries.”

The viewing records has shown that from January to June 2022, DW Russian’s online output has reached roughly 125 million monthly multiplatform users in Russia (having beaten the 49 million monthly record set in the previous six months) – an uptick of more than 250 percent. On Facebook alone, DW Russian reached more than 34 million monthly video views in the first half of 2022, mainly by users in Ukraine. On YouTube, according to MAI, there were roughly 48 million monthly views, with the largest share coming from Russia.

Given the balance of six months of work since the start of the war, Trippe is optimistic: “In my eyes, it is exemplary how quickly and competently the entire editorial team for online, video and social media is able to react to major journalistic situations and expand the program offerings on the spot. We have demonstrated that most recently on February 24.” His core message on the 60th anniversary of the DW Russian: “If a new curtain, this time in terms of media and not iron, were to seal off Russia from the rest of the continent, we know how to breach it: with unbiased information.”

France 24’s Sarah Morris named “best foreign correspondent in Spain”

France 24’s Sarah Morris named “best foreign correspondent in Spain”

France 24’s Sarah Morris named “best foreign correspondent in Spain”

France 24’s correspondent Sarah Morris has been named “best foreign correspondent in Spain” by the International Press Club (Club Internacional de Prensa) for the quality and depth of her coverage of the latest news in the country. The award ceremony will take place on September 22nd in Madrid.

Each year, the International Press Club (Club Internacional de Prensa) of Spain, chaired by Javier Fernandez Arribas, rewards the work of Spanish journalists and correspondents.

[Source: FMM press release]

Media industry is key stakeholder in achieving the SDGs, says UN ECOSOC President

Media industry is key stakeholder in achieving the SDGs, says UN ECOSOC President

Media industry is key stakeholder in achieving the SDGs, says UN ECOSOC President

Inaugural SDGs and the Media forum explores how to empower journalists to hold power to account in all countries

Working with the United Nations Economic and Social Council, the Association for International Broadcasting staged a ground-breaking conference on 15 July to explore the relationship between media companies, journalists, and the Sustainable Development Goals.

See the agenda here.

Opened by the President of the Economic and Social Council, H.E. Mr Collen Vixen Kelapile, the event brought together hundreds of participants from 30+ countries to discuss how the world’s media can ensure that citizens in every country understand the need for the planet’s inhabitants to move toward greater sustainability.

In his opening address, H.E. Mr Kelapile noted “the media industry is a vital stakeholder in achieving the SDGs. It is key in promoting solidarity and reinforcing accountability from the global leaders so that they take the necessary bold decisions.”

He continued: “Fair and accurate reporting is very important, and it’s a must in this process. Let us send a strong call to action to journalists in every country to engage in support of the achievement of the SDGs.”

“We also want to hear from you on how the UN, the individual member states, and the media could become better partners in achieving the SDGs.”

The conference heard from four journalists who are actively engaged in telling stories about sustainability to audiences worldwide: David Shukman, former BBC Science Editor; Steve Herman, National Correspondent, Voice of America; Aida Salihbegović, Producer, Balkan Booster; and Angelina Kariakina, Head of News, Ukraine Public Broadcasting.

Central to the discussion was how “audience fatigue” can be avoided when covering stories about sustainability. There’s a need to make the facts relevant to audiences – for example, explaining that an area the size of a football pitch is being lost to deforestation in the Amazon every minute rather than giving a measurement that people cannot readily assimilate, said David Shukman. There must be a fresh angle to ensure that such stories become part of normal news coverage about politics, science, medicine, natural disasters and so on.

It’s vital to avoid “preachy journalism”, noted Steve Herman, and instead focus on telling stories about solutions and successful initiatives that communities and organisations are developing. There’s a need to be alive to corporate greenwashing, said both Shukman and Herman.

The potential for collaboration in telling stories across borders was demonstrated by DW’s Balkan Booster that brings together young journalists from five Balkan countries. They share experiences with other journalists from neighbouring countries, demonstrating that problems override geographical boundaries and nationality. One season of Balkan Booster focused on sustainability issues, explained Aida Salihbegović, and stories originated on the programme were picked up by local broadcasters across the Balkan region.

For Ukraine’s public broadcaster, observed Angelina Kariakina, covering the SDGs is vital as they are not only about sustainability. One of the Goals is peace, so covering the SDGs is highly relevant to citizens in Ukraine. In Kariakina’s view, the war in Ukraine has a negative impact on achieving all 17 of the Goals – from poverty to energy to environment to food.

The potential for creating effective corporate social responsibility initiatives by media companies in areas connected to the SDGs was highlighted by Georgia Arnold, Executive Director of the MTV Foundation. MTV Foundation has created series focusing on sexual health, gender-based violence and other key social issues that are distributed across sub-Saharan Africa and India.

The MTV Foundation has been operating since the late-1990s and has gained immense traction with its work across the regions it serves, through television, radio, graphic novels, digital platforms, and social media. It is an example that other media companies can follow, given their huge story-telling abilities.

Concluding the event, AIB chief executive Simon Spanswick said this SDGs and the Media forum kicked off a series that is planned to be organised in conjunction with the United Nations. The aim will be to explore effective ways for the global media industry to support story-telling around the SDGs and the need to protect the planet.

H.E. Mr Collen Vixen Kelapile agreed, saying that it is his hope that “this forum can become a special initiative of the successive presidents of EcoSoc and organised annually on the margins of the High-Level Political Forum.”

“Working together, we can increase the level of awareness and motivation among global citizens in addressing the enormous challenges we face and building the better world that was envisioned in the 2030 agenda when it was adopted in 2015.”

The AIB is now working with its global members and the UN Department of Economic and Social Affairs to develop a long-term programme of events to explore and advance collaboration on storytelling around the SDGs.

Watch the event: https://youtu.be/kvdcuRbHkGg