Pay and equality at the BBC

Pay and equality at the BBC

THE BBC ISSUED THE FOLLOWING PRESS RELEASE ON 30 JANUARY 2018:
Today the BBC has published a review of on-air pay carried out by PwC, and set out a five-point plan to help create a fairer and more equal BBC.

The review, which covers correspondents, presenters and on-air editors in news and news-related areas, found no evidence of gender bias in pay decision-making, but identified a number of issues in relation to pay which have resulted in anomalies that need addressing, including:

  • Too many pay decisions being made at local levels because of the absence of clear pay frameworks.
  • A lack of clarity and openness about the basis for pay decisions because of the absence of pay ranges for on-air roles.
  • A slower rate of pay progression for both men and women over the past decade because of a period of significant pay restraint.

PwC makes a number of recommendations including a clear pay framework, narrower pay ranges, simpler contracts and allowances and improved transparency. The BBC wants a fair, equal and transparent pay framework for the future, so we will now consult our presenters on this to help ensure we get it right.

On-Air Review
BBC Management Response

The plan unveiled by the BBC today means:

  • Substantial pay cuts for some men and increases for some male and female presenters – prominent men in BBC News have already accepted pay cuts. We have already addressed close to half of the 230 cases raised of pay unfairness and equality by women and men – on and off air. We aim to conclude the rest by the summer.
  • A new on-air framework for determining the pay of people on air – an equal, fair and transparent structure for the future. We will have narrower pay bands because they have become too wide; cut the number of contracts and allowances to be simpler and fairer; and have clear criteria for how pay reflects skills, experience and audience impact. We will fully consult on this to make sure we get it right.
  • Greater pay transparency – we aim to be the most transparent organisation when it comes to pay. When our reforms are complete, everyone will be able to see the pay range for virtually every job in the BBC. Where there are more than 20 people in a job, staff will also be able to see where everyone else is positioned. We will do more to explain the pay of each presenter paid over £150,000, especially where they do more than one role.
  • Review of career progression and working practices for women – we will look at what more we can do to make the BBC a better place for women to work. We already, for example, allow and encourage job shares and other flexible forms of working. We will review what we do to ensure we have the best in class processes and opportunities. We want to help more women progress more quickly at the BBC.
  • We will also accelerate our work to achieve 50:50 representation across the BBC by 2020. Through the year we will continue to make changes to our on-air line-ups at a faster rate.

The BBC is committed to equal pay and will not discriminate on the basis of gender, race, disability, social background or any other characteristic. But, as in any organisation, that does not mean everyone is paid the same. People bring different skills and experience, and take on different responsibilities or risks. But we must apply those factors fairly, transparently and without discrimination.

Director-General Tony Hall says: “The BBC believes in equality. No one should be paid differently because of their gender. The BBC has a special role representing Britain. That is why we need to be and want to be an exemplar on gender pay, and equal pay.

“Today’s report does not find evidence of gender bias in decision-making, but it shows that we have real and important issues to tackle, particularly in some areas of news and current affairs, and I’m determined to get it right. The plans we’re setting out today go further and are more important steps in modernising the BBC and making it fairer.

“We’ve already made an important start. We’re addressing unfairness in individuals’ pay and want to close the gender pay gap and have women in half of our on-air roles by 2020. Those are big, bold commitments I’m really serious about.

“We are clear we’re going to tackle this and change for the better, and I hope other organisations take the same approach. The BBC can and must lead the way. I am determined that we will.”

The report by PwC covers around 800 on-air roles. It makes a series of recommendations, which form the basis of a proposed new pay framework.

PwC’s recommendations are: proposing a grading structure for the on-air group; using narrow pay ranges; addressing outliers both above and below the pay ranges; publishing pay ranges; reviewing the current approach to contracting; simplifying allowances; creating an on-air talent team to help manage the governance for this population; conducting regular reviews; reporting regularly; and continuing to improve diverse representation.

In October we published an equal pay audit of around 18,000 staff which concluded there was no systemic discrimination against women at the BBC. We also published our audited gender pay gap report, which shows the gender pay gap is 9.3 percent against a national average of 18.1 percent.

At the same time we set out a range of actions we were taking including access for staff to specialist advice if people have questions about pay, ensuring managers review pay in their team every six months to ensure fairness, and ending single-sex panels for job interviews, as well as striving for diverse shortlists for jobs.

Notes to Editors

  • The PwC review covers around 800 individuals consisting of Presenters, On-Air Editors and Correspondents. These individuals work within one of the following areas: Network News, Radio Continuous Programmes, Nations, English Regions, World Service or Sport. The review is published here
  • The BBC’s response is available here
  • The BBC has already published an equal pay audit of the majority of its workforce here. Our gender pay gap report is also available here

Below is the BBC’s performance against a range of gender and diversity targets:

  • 48% of staff are women (2020 target 50%)
  • 42% of leadership are women (2020 target 50%)
  • Target for 50:50 gender split in lead roles on air across all genres by 2020.
  • 14.5% of staff are BAME (2020 target 15%)
  • 10.3% leadership are BAME (2020 target 15%)
  • Target for 15% BAME on screen, on air and in lead roles across all genres by 2020.
  • 10.2% staff are disabled (target 8%)
  • 9.6% leadership are disabled (target 8%)
  • Target for 8% disabled people on screen and on-air including some lead roles by 2020.
  • Tony Hall has also committed to closing the gender pay gap by 2020.

(Source: BBC press release)

Al Hadath journalists bring their vision to air with Viz Story

Al Hadath journalists bring their vision to air with Viz Story

Journalists at Al Hadath and sister news channel, Al Arabiya, are using Viz Story to create their on-air new stories without the need of craft editors.

Al Hadath, a 24-hour news channel that is part of Dubai-based MBC, faces the same challenges as most modern news channels: How do you efficiently create video stories to cover world news with a minimal staff? Al Hadath’s solution was to bring Vizrt’s Viz Story into the newsroom as a fast and simple tool for journalists to create and edit their own stories.

“I know what I want for my story, and with Viz Story, I can take control of the package creation without having to explain my vision to someone else,” said Badih Younes, senior journalist, Al Arabiya & Al Hadath News. “Viz Story allows us to produce our stories in a shorter time and more accurate way.”

Viz Story is a story creation tool which allows journalists to easily edit videos, add branded graphics, and quickly distribute the finished stories to any location including video servers, VOD platforms and social media.

Part of the unique Viz Story workflow at Al Hadath and sister network Al Arabiya, is an integration with Reuters for gathering images and stories. Both networks have the Reuters wire service integrated with their Viz One media asset management (MAM) system. The integration, made possible by Viz One’s open API, allows Viz Story users to browse the latest Reuters images, with robust metadata, and drag the images into their timeline for editing, all from the web browser.

“Finding media is very easy with the Reuters integration,” said Fadi Radi, senior manager of on air graphics. “We have the latest pictures, up to the minute, and each picture includes metadata about the story. We get around 2500 to 4000 images per day. All a journalist has to do is open Viz Story in their browser, check out images to see what is going in the world, and quickly build the story.”

Video content from an Avid archive is imported into Viz One, giving journalists full access to the in-house video library from Viz Story, where they can add any number of graphics templates.

“The most exciting part is that the journalists also have access to any of Vizrt’s graphics templates from within their browser. So, not only are they editing video, they are adding custom graphics to the story, making the stories uniquely Al Hadath,” added Fadi Radi.

Finished stories are rendered to a target folder in the video format needed to automatically be ingested into the channel’s on-air video playout server.

“The newsroom is always a fast-paced environment and Viz Story helps save time since we don’t have to go to other departments to do the work. Everything is on our desktop and is easy to use”, said Aroub Abdelhaq, writer/reporter, Al Arabiya & Al Hadath News.

“It’s amazing how people (journalists, reporters, editorial teams, and social media producers) are interacting with Viz Story and its integration with Viz One. It’s been the biggest revolution in our workflow since we started using Vizrt, and its going viral within the organization,” concluded Fadi Radi.

About Vizrt:

Vizrt is a worldwide market leader in the areas of real-time 3D graphics, studio automation, sports analysis and asset management tools for the media and entertainment industry. This includes interactive and virtual solutions, animations, maps, weather, social media, video editing, compositing, and multiplatform VOD and live playout tools. Vizrt has customers in more than 100 countries worldwide including CNN, CBS, Fox, BBC, BSkyB, Sky Sports, CBS Sports, Fox Sports, Al Jazeera, NDR, ITN, ZDF, VICE, The Washington Post, TF1, CCTV, NHK and the list keeps growing. Vizrt has nearly 600 employees and operates in 40 offices worldwide. Vizrt is a privately owned company by Nordic Capital Fund VIII. For further information please refer to www.vizrt.com

View and download the video here

Euronews Hungarian gains 860,000 subscribers on Magyar Telekom

Euronews Hungarian gains 860,000 subscribers on Magyar Telekom

Hungary’s first pay TV operator Magyar Telekom adds Euronews Hungarian, the only international news media produced in Hungarian to all its platform’s basic-level offers.

Launched in May 2013, Euronews’ Hungarian service is a 24/7 news outlet dedicated to the Hungarian market, produced from Budapest.

Magyar Telekom, part of Deutsche Telekom Group, has now included Euronews Hungarian to the basic packages on IPTV and cable and to the family package on satellite allowing Euronews to reach more than 860,000 subscribers.

With this new distribution agreement, Euronews Hungarian is now available  in 1.2 million homes throughout the country.

Euronews Hungarian

Produced by a team of 31 people including 24 journalists at the Budapest bureau, two at the Euronews HQ in Lyon and three in the Brussels bureau, the 24/7 Hungarian news service will celebrate its fifth anniversary in May 2018.

Attila Kert, a renowned Hungarian journalist with 25 years of experience, is the Director of Euronews Hungary Kft., a wholly-owned subsidiary of Euronews SA.

Euronews Hungarian TV is available across Europe thanks to the Eutelsat Hot Bird 13B satellite. The Hungarian newsroom also provides news and reports for hu.euronews.com, the mobile app, the YouTube channel, and also for its social media accounts: Twitter @euronewshu and Facebook

Since May 2017, as part of the new Euronews strategic plan to adapt itself to the expectations of its multiple local audiences, Euronews Hungarian has started to shape its international news bulletins and to produce specific stories to resonate with the Hungarian audience’s interests. To fully implement the new strategic plan, Euronews’ Hungarian team is set to launch a range of new flagship programmes in the coming years.

(Source: Euronews press release)

Arqiva launches new central processing platform for channel to platform market

Arqiva launches new central processing platform for channel to platform market

Off-the-shelf solution offers broadcasters a quick and easy way to extend portfolios and break into new markets

Arqiva, the leading UK communications infrastructure and media services company, has today announced the launch of a new Central Processing Platform for channel delivery within the broadcast industry.

Against a backdrop of constant change, insatiable consumer demand and evolving audiences, the scalable platform will effectively bridge the gap between channel or content and provider – handling the content aggregation, technical processing and delivery of new channels in a single place.

For broadcasters looking to offer international content to a local audience, or deliver local content to a wider demographic, Arqiva will acquire and aggregate the target channels into a single feed and process everything in the specific formats to suit their requirements – rather than them having to ‘collect’ all the content themselves.

Alex Pannell, Commercial Director, Satellite & Media at Arqiva, commented: “In today’s data-driven TV market, deep insights offer exciting opportunities to tailor services, packages and content to audience tastes and expectations. But the broadcast industry has to be able to respond quickly and nimbly if it wants to take full advantage of this.

“Through Arqiva’s Central Processing Platform, customers will have access to thousands of channels, from every corner of the globe – all already processed and primed for delivery from one central location – so they can continue to build their business to match evolving demand.”

 To find out more about the Arqiva Central Processing Platform, visit: https://www.arqiva.com/overviews/tv/channel-processing/

Euronews partners with The Dream VR to publish 360° content on Smart TVs worldwide

Euronews partners with The Dream VR to publish 360° content on Smart TVs worldwide

For the first time, Euronews’ 360° news content is available on smart TVs across the globe thanks to a partnership with The Dream VR, the world’s first VR and 360° TV platform.

Euronews, the pioneer international newsroom in the production of immersive video reports, partners with The Dream VR, the only technology provider in the world able to broadcast 360º content on connected TVs.

For a potential audience of 300 million Samsung Smart TVs and 50 million Apple TVs in 180 countries, a patented technology allows The Dream VR users to activate Euronews 360º content on Smart TVs using just the remote control arrows.

A selection of Euronews’ best immersive content is already available via a dedicated channel on The Dream VR app and fresh content will be uploaded as it is produced.

Euronews is the first news media to partner with The Dream VR, joining over 150 channels, with content from Disney, Sony, Universal, Univision and leading soccer clubs around the world.

The partnership also includes monetisation of Euronews’ 360º videos via display advertising.


Euronews was the first international newsroom to fully incorporate 360º video news into its production workflow in 2016
. Today, this cutting-edge publishing platform reaffirms Euronews’ position as a leading innovator in Europe when it comes to immersive journalism.

The Dream VR team is located in Madrid, Barcelona and Miami. Its VR app has 2 million downloads and is available on every major 360º and VR platform including Samsung Smart TV, Appel TV, iOS, Android, Google Daydream, Oculus Rift, Samsung Gear, HTC Vive, Topying, Pico and coming soon to PSVR.

 

  Thomas Seymat, VR & immersive journalism editor, Euronews

“Reaching new audience is the Euronews immersive journalism team’s aim in 2018. We are very pleased to benefit from the innovative and exclusive worldwide solution from The Dream VR to allow smart TV viewers to live a unique experience of international and European news.”

  Albert Palay, CEO THE DREAM VR

“THE DREAM VR is extremely glad to be able to have Euronews as a partner, the latter being the biggest news player in Europe, with growing potential and influence around the world thanks to their recent partnership with NBC News. This collaboration gives us the chance to have great up-do-date content of general interest, which will attract a varied and high standard public worldwide.”

Vizrt release new case study featuring the Sky Sports Cube in Germany

Vizrt release new case study featuring the Sky Sports Cube in Germany

The Sky Sports Cube engages German football fans with Vizrt visual storytelling tools

The brand new studio complex includes multiple studios with massive video walls driven by Vizrt automation systems. 

The new home of football in Germany is the Sky Sports Cube, a state-of-the-art 4600 m2 studio built by Sky Sports Germany in Munich. The Sky Sports Cube is the place where football fans watch their Bundesliga and Champions League favourites play while sports pundits analyse the games and stats. The new Sky Sports Cube reinvents Sky Sports’ sports production workflow by creating the perfect studio for bringing the game to the audience with the greatest flexibility in visual storytelling.

For the past 17 years, Sky Sports outsourced their sports programs in the German market and produced live programs with traditional tools and workflows. The construction of the Sky Sports Cube offered an opportunity to change everything and make a workflow that will suit their future needs.

Bringing production in-house provided Sky Sports the flexibility to build a workflow tailored to their specific needs. “It was very important to have an end-to-end control of our products,” said Alessandro Reitano, VP Sports Production, at Sky Sports Germany. The custom workflow needed to include a seamless flow, from finding content in the digital archive, easy editing, graphics insertion, rundown management, to finally taking the live production to air.

“It (the workflow) is really unique and the show is something between entertainment and live sports. Being away from traditional workflows is allowing us to change the set design immediately,” said Alessandro Reitano, VP Sports Production

When we ‘unfold’ the Sky Sports Cube, we see a three-storeyed studio complex, 3 fully contained studios, each with their own newsroom equipped with Vizrt production tools. The Viz One media asset management (MAM) system and Viz Mosart studio automation system play key roles in the new end-to-end workflow. The MAM archive has 1000 terabyte capacity, where all the football games recordings are stored and easily found thanks to the powerful search capabilities in Viz One. The entire live production is controlled by the Viz Mosart automation system, allowing the director to manage and easily control the production from one place.

“The great opportunity we have now is that we have endless opportunities for the future, so we can do a lot more than we do now on-air” said Roland Kindermann, Director Sky Production Services Sport.

The most visual set is the 600 m2 studio equipped with a 35m long LED wall, which makes the viewer experience more engaging. The set has the possibility to show every perspective from the stadium to analyse the game in depth. With the help of Viz Multiplay, whichs control the video wall content in the studio, Sky Sports shows different videos, analysis, and interviews on every screen. The flexibility of the video wall helps the presenter tell a better and more detailed re-cap of each football game.

“Vizrt, for us is a long-standing partnership. Every major project we work on includes Vizrt because it isn’t a matter of whether we will use Vizrt, it’s only matter of how we want to use Vizrt,” said Alessandro Reitano, VP Sports Production.

About Vizrt

Vizrt is a worldwide market leader in the areas of real-time 3D graphics, studio automation, sports analysis and asset management tools for the media and entertainment industry. This includes interactive and virtual solutions, animations, maps, weather, social media, video editing, compositing, and multiplatform VOD and live playout tools. Vizrt has customers in more than 100 countries worldwide including CNN, CBS, Fox, BBC, BSkyB, Sky Sports, CBS Sports, Fox Sports, Al Jazeera, NDR, ITN, ZDF, VICE, The Washington Post, TF1, CCTV, NHK and the list keeps growing. Vizrt has nearly 600 employees and operates in 40 offices worldwide. Vizrt is a privately owned company by Nordic Capital Fund VIII. For further information please refer to www.vizrt.com