US International broadcasting budget cuts mean end to most Radio Sawa broadcasts

US International broadcasting budget cuts mean end to most Radio Sawa broadcasts

https://www.linkedin.com/pulse/us-international-broadcasting-budget-cuts-mean-end-most-morand-fachot/

According to the latest Budget Request for the BBG, the US civilian international media agency, Radio Sawa, the BBG’s Arabic-language service will end its AM & FM broadcasts to all countries except Iraq

According to the latest President’s Budget Request (for Fiscal Year 2019), released on 12 February 2018, the Broadcasting Board of Governors’ (BBG) budget, which oversees all US civilian international media, will be cut by some $24m compared to the FY 2018 budget proposal, which itself was down more than $108.8m on the BBG’s FY 2017 (actual appropriation).

Cuts mean end to Radio Sawa non-Iraq broadcasts

The latest cuts for FY 2019 will translate, among other things, into an end to all non-Iraq broadcasts of Radio Sawa, the BBG’s Arabic radio service. Radio Sawa is part of the BBG’s Middle East Broadcasting Networks (MBN), together with the 24/7 Alhurra pan-Arab news and information TV channel.

The “Summary of Increases and Decreases” for FY 2019 gives the following details for the $9.5m cuts:

Decreases: $12.5m – as follows:

–   Pan-Arab Radio (i.e. Radio Sawa) Transmission Reduction: $7.7m

–   Eliminate Sawa Pan-Arab Radio: $4.8m

Increases: $3m (Reposition Sawa Pan-Arab as Digital)

Reasons for cuts go beyond Radio Sawa

The document gives the following reasons for the cuts relevant to this (and other) service(s):

The Office of Technology, Services and Innovation (TSI) “continues to move the BBG from traditional broadcasting technologies, such as cross-border radio transmissions shortwave (SW) and medium wave (MW) serving regions where these platforms are no longer popular, to other delivery systems that are rapidly growing in effectiveness and are less expensive to operate (e.g., FM radio, DTH satellite, internet streaming, mobile, and social media. (…) As part of this move, TSI will continue support for the FM radio network in the critical target country of Iraq, but terminate distribution of and support for terrestrial radio in the rest of the Arabic-speaking Middle East.”

Radio Sawa “uses leased FM transmitters in Arab countries plus medium wave relays, and these are expensive,” retired VOA audience research analyst Kim Andrew Elliott told Radio World

Eight streams

Radio Sawa was launched in 2002. It is broadcast on MW and FM on eight sub-regional streams, including: Iraq (FM and AM); Levant (including Jordan and the West Bank – FM); the Gulf (FM and AM); Egypt (AM); Morocco (FM); Sudan, Libya, Djibouti and Yemen (FM and AM); Lebanon and Syria (FM); and Mauritania (FM). Radio Sawa is also streamed on its news and information website and through a dedicated audio streaming mobile app.

The BBG’s director of global communications and public affairs, Nasserie Carew, told Radio World that Radio Sawa’s current weekly reach was 11.7 million and Iraq was its largest stream, with 40% of its total audience (4.7 million).

Significant reach

The latest available data (FY 2015) for MBN, giving a breakdown between Alhurra and Radio Sawa (FY 2015), measured weekly audience (i.e. number of people listening to or viewing programming or online materials in the past week) show that it was 17.6m for Alhurra and 10.9m for Radio Sawa, the overall audience figure was 25.7m. For FY 2017 the actual figure was also 25.7m.

Given this latest available breakdown between the two services, it is totally unrealistic to expect that the MBN’s target measured weekly audience for FY 2019 (27.5m) can be even remotely approached with the end of Radio Sawa’s terrestrial broadcasts.

As BBC Monitoring assistant editor and media specialist Chris Greenway told Radio World: “clearly not everyone in the Arab world is willing or able to receive radio broadcasts via non-traditional means. In-car listening is an obvious example.”

Both Elliott and Greenway question whether listening online, via mobile devices or satellite services digital platforms will attract the same audience

Will other international broadcasters to the region benefit?

Two other international radio services likely to benefit most from cuts to Radio Sawa are BBC Arabic and Monte Carlo Doualiya (MCD), the Arabic-language service of France Médias Monde, the group in charge of French international broadcasting.

BBC Arabic, the largest and the first of the BBC’s non-English language services, which celebrated its 80th anniversary last January, is available 24/7 on radio, TV, online and mobile devices, it has a total weekly reach of 43 million for all these services. It will likely benefit from Radio Sawa’s cuts across the Arab world. However, reports of restructuring and planned staff cuts to the service in London emerged earlier this year. These plans include news operations being transferred to Cairo and Amman. Given the recent spat between Cairo and the BBC, with Egypt calling for Egyptian officials to boycott the BBC following a report on human rights, these plans may very well be reassessed.

MCD broadcasts to the Middle East, Mauritania, Djibouti, and South Sudan on MW, and via 27 FM transmitters in 13 countries, and also via satellite and partner radio stations. It claims a weekly audience of 7.3 million listeners (measured in 18 countries only out of the 22 it reaches). It also attracts more than 2 million visits a month to its digital platforms (2017 average) and has 3.8 million followers on Facebook and Twitter.

Other international broadcasters with Arabic-language services, such as Deutsche Welle, may also benefit from cuts to Radio Sawa services.

Leading international broadcasting organisations like the BBG (and Radio Sawa, its Arabic radio network), the BBC World Service (and its BBC Arabic service), France Médias Monde (and its Arabic-language radio Monte Carlo Doualiya – MCD), or Germany’s Deutsche Welle, are all Members of the Association for International Broadcasting (AIB). The AIB is the only global alliance of media companies that deliver, or support the delivery of, cross-border and multi-platform international broadcasting. The AIB provides information and news about its Members and the international broadcasting world, as well as a wide range of useful resources. The AIB also set up Member-only working Groups, in particular for Audience Research and for Cyber Security, with more planned in the future.

AFP launches AFPTV live select for TV networks and digital media

AFP launches AFPTV live select for TV networks and digital media

Agence France-Presse is launching AFPTV Live Select, a new service providing comprehensive, original live coverage by selecting one of four available live video feeds at any time. With afptvlive.com, a new platform dedicated to live coverage, users can control reception of feeds delivered through a secure IP solution that meets the highest standards in the market.

“With AFPTV Live Select and the launch of afptvlive.com, AFP’s video offering is once again standing out from the crowd with its rich content, diversity of angles and quality of the user experience”, says AFP Chairman and CEO Emmanuel Hoog. “The biggest global networks, both news and generalists, already enjoy real-time access to our schedule and can view all feeds broadcast by AFP to choose the one that best suits their editorial line.”

 

From Lima to Johannesburg, from Pyongyang to Washington, AFP allows the world’s media to benefit from live pictures on every topic of interest to their audiences.

 

The new platform’s real-time agenda and planning features are also available to AFPTV Live Essential customers, which offers live satellite video coverage of key current events. “AFP responds to our need for at-a-glance information about their live offers with a clear and intuitive website which my team have found easy to navigate and interact with” says Simon Ward, Assignement Editor at BBC News.

 

Clients also benefit from a direct helpline within the AFP editorial team to answer any query about coverage.

 

AFP will introduce its new service at MIPTV in Cannes, from 9 to 12 April and through customised on-demand demos.

Vizrt’s Viz One MAM now available on AWS at NAB 2018

Vizrt’s Viz One MAM now available on AWS at NAB 2018

Vizrt’s Media Asset Management (MAM) product Viz One can now leverage AWS services to improve video production workflows and IT return on investment.

Vizrt announced today that the Viz One MAM product suite will be available on Amazon Web Services (AWS), providing more flexibility and choice for organizations who can utilize the scalability and accessibility of cloud-based solutions.  The availability of Viz One on the cloud allows organizations to improve video workflows by offering more cost-effective scaling and enhancing the speed of video production by allowing access from any connected device, even in remote locations.  Media companies can now access their content from virtually anywhere with Vizrt’s Viz One either entirely on AWS, or as part of hybrid architectures. Hybrid architectures place resources both on the cloud and on-premises, allowing pre-existing infrastructures to be augmented with the most attractive cloud services. Users are also able to securely access content on Viz One from any location using the improved two-factor authentication both on the cloud or on-premises.

“The cloud loosens key technology restraints enabling customers to adopt new technology more rapidly than ever.  Making Viz One available on AWS has been driven by customer demand for their own service innovation and their growing adoption of the cloud” said Petter Ole Jakobsen, Chief Technology Officer at Vizrt.

Viz One utilizes compute, storage and database services including Amazon Elastic Compute Cloud (Amazon EC2), Amazon Simple Storage Service (Amazon S3), Amazon Glacier, Amazon Relational Database Service (Amazon RDS)/PostgreSQL, Amazon Elastic File System (Amazon EFS), and Amazon Elastic Block Store (Amazon EBS).

Visit us at NAB 2018, stand SL2416 to see how Viz One and cloud services from AWS can improve video production workflows and provide greater IT return on investment.

About Vizrt:
Vizrt is a worldwide market leader in the areas of real-time 3D graphics, studio automation, sports analysis and asset management tools for the media and entertainment industry. This includes interactive and virtual solutions, animations, maps, weather, social media, video editing, compositing, and multiplatform VOD and live playout tools. Vizrt has customers in more than 100 countries worldwide including CNN, CBS, Fox, BBC, BSkyB, Sky Sports, CBS Sports, Fox Sports, Al Jazeera, NDR, ITN, ZDF, VICE, The Washington Post, TF1, CCTV, NHK and the list keeps growing. Vizrt has nearly 600 employees and operates in 40 offices worldwide. Vizrt is a privately owned company by Nordic Capital Fund VIII. For further information please refer to www.vizrt.com

 

Beijing consolidates national broadcasters

Beijing consolidates national broadcasters

According to a report in the South China Morning Post, China is planning to merge its state television and radio networks into one mega broadcaster in an overhaul that, the report says, is designed to tighten the Communist Party’s grip on public opinion and burnish the country’s global image.

China Central Television (CCTV), China National Radio (CNR) and China Radio International (CRI) will be consolidated into a new broadcaster that is to be called Voice of China – a name that is reminiscent of international broadcasters at the height of the Cold War.

“Our senior editors are convening meetings to convey the news this afternoon,” said a source who talked to SCMP and who requested anonymity. Another source at CCTV also confirmed the merger to the newspaper.

A document introducing the changes began circulating on social media on Tuesday. It says the consolidated group will sit directly under the State Council, China’s cabinet, and will be led by the party’s Central Publicity Department.

It also outlines changes to the propaganda unit and the Central Organisation Department – two already powerful agencies that will have even more heft after the revamp.

The propaganda department will absorb the country’s top media watchdog – the State Administration of Press, Publication, Radio, Film and Television – taking over its regulatory power on news, publications and film.

According to the document, Voice of China’s main duties will be to “promote the party’s theories, principles and policies”, “coordinate and organise major propaganda coverage”, “strengthen the ability to shape public opinion”, “improve its global communication capabilities”, and “tell the China story well”.

Under President Xi (seen above visiting CCTV headquarters), Beijing has also grown increasingly eager to be heard in a world it sees as dominated by Western narratives that are unfair and biased against China.

CCTV rebranded its international English-language news channel as CGTN in a move some observers say is to distance itself from Chinese state media.

Vizrt brings immersive football analysis to the studio with the new Viz Libero AR

Vizrt brings immersive football analysis to the studio with the new Viz Libero AR

The augmented reality-based sports analysis system will be demonstrated for the first time at NAB 2018, stand SL2416.

Vizrt, the leader in sports analysis visual storytelling, brings a new tool to the broadcast studio with Viz Libero AR. Just in time for the World Cup, Viz Libero AR combines the analysis power of Viz Libero with augmented reality (AR) graphics, creating a new way for sports presenters to tell the story of the action on the field and engage sports fans.

“Viz Libero AR brings the pitch into the studio, giving the fans the experience of analyzing the most important plays with the experts,” says Remo Ziegler, Vizrt’s VP Product Management Sports. “The seamless transition between Viz Libero AR and Viz Libero analysis clips lets the viewers sit in the first row at all times, be it in the studio or on the pitch.”

Viz Libero combines realistic 3D replays and virtual graphics from any sport to provide deeper, multi-angle analysis of key plays and moments within the game. A photorealistic 3D view based on the original game footage enriched with analysis graphics are placed as AR elements in front of the sports presenter in the studio. Studio cameras control the angle of the field tying together the studio and the analysis. The sports presenter can interactively control the action using an iPad or touchscreen.

Remo Ziegler added, “Vizrt’s focus is to expand broadcasters’ sports storytelling capabilities with tools that inform and engage audiences. Viz Libero AR adds a new “wow” effect that viewers will remember from the Football World Cup or any other sports event beyond.”

At NAB 2018, Vizrt will also showcase other sports innovations for the World Cup. This includes visualizing player tracking, interactive graphics and augmented reality tools for the studio. Teams and coaching staff will be able to see the latest version of Viz Libero designed to help them break down key plays of the game. For American Football, Viz Arena’s Down and Distance package has been enhanced with new features for the 2018 season. Vizrt will also show the world’s most advanced optical ad replacement system, Viz Eclipse.

Viz Libero AR can be seen for the first time during the Big AR Show on Vizrt’s NAB 2018 stand, SL2416.

About Vizrt:
Vizrt is a worldwide market leader in the areas of real-time 3D graphics, studio automation, sports analysis and asset management tools for the media and entertainment industry. This includes interactive and virtual solutions, animations, maps, weather, social media, video editing, compositing, and multiplatform VOD and live playout tools. Vizrt has customers in more than 100 countries worldwide including CNN, CBS, Fox, BBC, BSkyB, Sky Sports, CBS Sports, Fox Sports, Al Jazeera, NDR, ITN, ZDF, VICE, The Washington Post, TF1, CCTV, NHK and the list keeps growing. Vizrt has nearly 600 employees and operates in 40 offices worldwide. Vizrt is a privately owned company by Nordic Capital Fund VIII. For further information please refer to www.vizrt.com

UK Royal Wedding media briefing

UK Royal Wedding media briefing

HRH Prince Harry will marry Meghan Markle on Saturday 19 May 2018. There is intense interest in this event from the news media around the world, particularly since the bride is a well-known actress.
The wedding will take place in Windsor, to the west of London. Thames Valley Police which is in charge of security at the wedding has asked the Association to tell our Members and the wider media industry about a media briefing that is taking place on Wednesday 28 March. The purpose of the briefing is to explain the Force’s role in policing the wedding, highlighting a number of its security operations in the build-up to the event as well as outlining media opportunities in advance of the wedding.
This is a non-reportable briefing designed to provide broadcasters with background information on the policing operation and discuss forthcoming media opportunities. Assistant Chief Constable David Hardcastle, who is the strategic lead for the policing of the wedding, and Superintendent Jim Weems, the tactical lead for the policing of the wedding, will be at the briefing to provide background information and answer any questions AIB broadcaster Members may have.
To confirm your attendance, or for more information, please e-mail james.williams [at] thamesvalley.pnn.police.uk before midday GMT on Thursday 22 March.