Encompass to acquire Babcock Media Services

Encompass to acquire Babcock Media Services

Encompass Digital Media has announced that it has signed a definitive agreement to acquire Babcock International Group’s (Babcock’s) Media Services business. This deal expands Encompass’ scale in EMEA and extends the company’s combined channel play-out, transmission and digital products portfolio while adding international radio distribution to its suite of services.

“Acquiring Babcock’s Media Services business increases our presence in the EMEA region, expands our video services offering, specifically in the live streaming sports arena, and bolsters our collective relationships with some of the most important media companies and public service broadcasters around the world,” explains Chris Walters, Encompass CEO. “We are thrilled to be adding a large number of highly regarded industry professionals to the Encompass team.”

The amount of technical complexity required to generate and deliver content to viewers continues to grow exponentially, and the acquisition of Babcock’s Media Services business represents a continued push to offer end-to-end, highly reliable and scalable services to media companies. With combined resources, Encompass will offer enhanced solutions to capture, process and deliver video content from any source, in any format, to any destination in the most efficient manner possible.

“I am delighted that Babcock’s Media Services business is becoming a part of one of the leading global providers of managed video services. The combination of Encompass’ significant international presence and prestigious customer base, together with Babcock’s growing capabilities in the rapidly expanding live streaming market and our market-leading position serving many of the world’s leading international radio broadcasters, will further cement Encompass’ global reputation as THE provider of choice,” states Nick Thompson, Managing Director of Babcock’s Media Services business.

Encompass has existing facilities in the UK, US, Singapore, Argentina, Latvia and India; this acquisition will grow its operations in the UK and Singapore and add operations in Oman and Ascension Island.

The daring Red Bull Air Race ups the excitement with AR from Vizrt

The daring Red Bull Air Race ups the excitement with AR from Vizrt

 

The Red Bull Air Race uses the Ghost Plane and more graphic tools to add a new level of storytelling to the World Championship of air racing.

Take a combination of speed, the most agile raceplanes, a unique aerial track and some of the most stunning locations in the globe, and you have the Red Bull Air Race. Created by RedBull in 2003, the Red Bull World Championship has the best pilots in the world compete to fly flawlessly through the racetrack, passing giant air-filled gates with precision while trying to set the best time. The pilot finishing the track in the fastest time takes the race victory. Tens of thousands of fans gather around the world to watch this exciting motorsport competition live, while even more fans tune in to the live video production that is enhanced with augmented reality (AR).

A race at this scale can be tricky to watch from the ground. Fans want to know how fast the pilots are going, if they pass the gates correctly, and how did their competition do?

“The Red Bull Air Race is a sport which is hard to understand if you just watch it, because you don’t see the difference between two pilots,” says Stefan Koch, TV Director at Red Bull Air Race “The key is to attach people to the story.”

 

Engaging the audience

Red Bull Air Race, together with the production company netventure, have taken innovative approaches to grab the viewer’s’ attention and explain the air racing action. For the fans in the stands, several big video walls are in place. These video walls show race data visualized by netventure using Vizrt graphics tools that allow to share the excitement in real-time.

The real-time graphics are controlled with Viz Trio, which gives an operator full control of which pilot’s stats to share and when. The graphics and the tools to manage them play an instrumental part in creating an exciting story for both the live audience onsite and viewers on TVs and mobile platforms.

The ghost plane

The second innovation created by Red Bull Air Race and the support from netventure is the Ghost Plane. The ghost plane allows a visual head-to-head comparison between two pilots.

“They (Red Bull Air Race) wanted to add some more excitement during the competition since you cannot have two airplanes in the race track at the same time, says Antonio Bleile, Virtual Graphics Developer at netventure. “They wanted a tool to visualize competitors against the actual flying pilot.”

A real raceplane overlaid with an AR plane is the perfect solution for the audience to see in real-time who is winning. Accuracy is the key for a feature like this to work properly. netventure developed a plugin for Viz Engine to read flight data from the cockpit and apply it to the AR plane. Viz Engine has an open architecture allowing users to develop their own plugins to work specifically for their storytelling needs.

 

Capturing every emotion

Red Bull Air Race also wants to share the emotions of the pilots with the viewers. This is different to most other races however, because once the pilot crosses the finish line, they can’t relax, they need to remain focused and land their planes. Cameras have been installed inside the cockpit of each raceplane to capture every cheer or disappointment of the pilots. In addition, the pilots are interviewed on the ground as soon as they get out their planes. These interviews are recorded and ready to be broadcast live, with the help of a Vizrt partner EVS. The input from the recording is edited with Vizrt graphics by netventure and shared live on the video walls and broadcast live through Red Bull Air Race

“Emotion is part of successful sports event. Combining Vizrt’s graphics with the adrenaline rush of the planes racing at high-speed through the track, the Red Bull Air Race is one of the most exciting new sports today,” said Yan Heydlauf at Vizrt.

 

SatADSL: 7 Years of Business, 7 Years of Growth

SatADSL: 7 Years of Business, 7 Years of Growth

More and more communities are choosing the SatADSL hotspot solution—and for good reason: it is easy to implement and to use, comes at an affordable price, and can even be cost-effective.SatADSL celebrates its 7 years of business with its head in the stars – the company’s story is one of success! Let’s return to earth and talk about the reasons behind this success with Thierry Eltges, co-founder and CEO of SatADSL.

What was the context that led to the creation of SatADSL?

Thierry Eltges: SatADSL was created 7 years ago. After working as an engineer at the European Space Agency (ESA), I started my consultancy company in the early 2000s ‒ Sea & Space Exploration. Several people, all working at SatADSL now, joined me in this adventure: Caroline De Vos, Fulvio Sansone, and Maïte Aguirre. For 10 years, we worked for ESA and industrial companies such as Newtec or satellite telecommunications operators such as SES. Sea & Space Exploration, still active today, is very business-oriented and specializes in market research for launching new products and services. After a study for ESA, we decided to start SatADSL.

What was this study about?

Thierry Eltges: It focused on the African VSAT market and the technological potential of the low-cost terminals developed by the Belgian company Newtec, one of SatADSL’s current partners. For almost a year, we traveled extensively throughout Africa to understand the real needs of local businesses. We noticed that, at that time, only very large, expensive telecommunications systems existed, resulting in a very high communications cost. There was a real demand for a reliable, low-cost system and our market study showed it was possible.

So you went from theory to action…

Thierry Eltges: Yes, we were determined to prove that our market plan was realistic and achievable. We launched SatADSL in 2011 and started looking for a private investor. Two years later, SPDG, the holding company of the D’Ieteren family, became a partner. They launched a capital increase of EUR 1 million and SatADSL became a limited company. Today, SPDG owns about one-third of the company. The other shareholders include SatADSL employees.

How has the company developed since then?

Thierry Eltges: We started out with 4 in 2011. In the following years, we hired more and more people and today we have 17 full-time employees. Since the beginning in 2011, our business grew very fast and has continued to do so exponentially. Initially, we were only reselling the services of other operators such as SES. But already during the first year, we realized that these services were not suitable for the African market. We wanted to offer complete solutions and customized services for end-user customers. That is why we created our own service offering and even developed our own service platform: the Cloud-based Service Delivery platform (C-SDP). This platform meets the need for monitoring and control of our customers. It also allows for preventive maintenance, which means our customers can check the quality of their connections in real-time (speed, interruptions, etc).

Which technological developments can we expect?

Thierry Eltges: In 2012, we started to buy bandwidth for our service platform in Brussels. This allowed us to manage customer traffic directly and to create our own service profiles: dedicated services, shared services with limited contention (cheaper than dedicated services), multicast services for radios, VNO services for customers who want to share capacity between multiple sites, etc. We can now offer customers complete solutions, even in professional niche markets. Our customers need more than just a connection. Just to name one example, we have a solution for hotspot services. This allows our customers to offer end-users ‒ typically nearby villagers ‒ WiFi access: they can connect via their laptop or mobile phone to the Internet from anywhere within a range of 300 meters of the customer’s hotspot.

So you had to develop software and obtain a high amount of IT expertise…

Thierry Eltges: … Exactly! Especially to distribute the bandwidth more effectively between the various users. Today, we can offer more complex solutions, like networks for tactical military communications. In addition, we have opened our serivce platform C-SDP to every satellite, teleport or service operator. We are very proud of this platform, it is unique on the market and we just filed a patent application.

In your opinion, how does the SatADSL team contribute to the company’s success?

Thierry Eltges: We are a really close-knit team with multiple skills: engineers in very specialized fields, software developers, and administrative, sales and operational support teams. We are particularly recognized for the quality of our technical support. Unlike most companies, we do not limit ourselves to reactively helping customers when they have problems, but we proactively offer solutions to their specific needs. Another important feature of this team is its flexibility: we believe nothing is impossible and we always provide satisfying solutions to our customers. This “modus operandi” made it possible to develop a service platform that is as flexible and complete as the C-SDP.

Burmese edition of BBC’s Click now on MRTV

Burmese edition of BBC’s Click now on MRTV

BBC News Burmese has launched the Burmese edition of the BBC’s flagship digital technology programme, Click.   The weekly programme is aired in Myanmar by the country’s largest TV network – the state broadcaster MRTV – and is available on demand on the BBC News Burmese website bbc.com/burmese and YouTube channel.

 

The weekly 10-minute edition of the BBC’s TV guide to the latest technology news is produced and presented by BBC News Burmese. Click brings latest reports on apps, gadgets and games, and on technological innovations from around the world.

 

BBC News Burmese Editor, Soe Win Than (Min Htet), says:  “In addition to BBC radio content, MRTV will now broadcast our new TV programme which will inform viewers about the most important global and regional developments in the world of digital technologies, and about the technical know-how to help improve their daily lives. This is excellent news for the BBC’s presence in Myanmar and our collaboration with MRTV. I hope our audience will welcome this addition to their weekly evening TV schedule.”

 

MRTV rebroadcasts BBC News Burmese weekly radio programmes: the youth show, Mobigeno (Monday at 15.15 local time), the technology and digital innovations programme, CoolTech (Tuesday at 14.20), and the programme about innovative farming methods, San Thit Tehtwin Lai Myay Ta Kwin (Thursday at 08.45).

 

Director of MRTV, Moe Thuzar Aung, adds: “I am really glad that, thanks to our cooperation with the BBC’s Burmese service, our channel will bring the latest technology news around the world to our audiences.”

 

Click will be broadcast by MRTV at 18.15 local time on Fridays and will be repeated the following Mondays at 09.20.  The programme will be available on demand on the website bbc.com/burmese and BBC News Burmese YouTube channel.

 

In addition to collaboration with MRTV, the BBC News Burmese Monday to Friday TV news programme is broadcast by Myanmar’s digital channel, Mizzima TV (20.45).  The radio programmes, Global Newsbeat, Mobigeno and the English-learning series, The English We Speak, are aired by Myanmar’s FM network, Padamyar FM.  Daily top headlines from the BBC News Burmese website are directly available to users of Yangon-based website, Frontier Myanmar.  Selected stories appear on the Burmese-language index of Thailand-based news website, Khaosod.

 

Burmese-speaking audiences can access the BBC via Facebook (over 14m followers), as well as Twitter and YouTube.

 

BBC News Burmese is part of the BBC World Service.

(Source: BBC press release)

US international broadcasting rebrands

US international broadcasting rebrands

Effective immediately, the Broadcasting Board of Governors (BBG), an independent U.S. government agency that employs thousands of talented journalists, storytellers and media professionals, has been rebranded as the U.S. Agency for Global Media (USAGM).
USAGM describes itself as a modern media organisation, operating far beyond the traditional broadcast mediums of television and radio to include digital and mobile platforms. In a statement, USAGM said that the term “broadcasting” does not accurately describe what it does. “The new name reflects our modernisation and forward momentum while honouring its enduring mission to inform, engage and connect people around the world in support of freedom and democracy,” the statement said.
“We recognise the overdue need to communicate the evolving, global scope of our work as well as our renewed, urgent focus on the agency’s global priorities, which reflect U.S. national security and public diplomacy interests. USAGM is an independent federal agency that provides accurate, professional and objective news and information around-the-globe in a time of shifting politics, challenging media landscapes and weaponized information. Our identity and name will now address these realities.
“The decision to change our name was a result of thorough research and extensive consultation with numerous internal and external stakeholders, including the BBG Board of Governors, agency staff and leadership at all levels, the five networks, Congress, the Administration, and interagency colleagues.”
As with the BBG, the U.S. Agency for Global Media encompasses five networks: the Voice of America (VOA), Radio Free Europe/Radio Liberty (RFE/RL), the Office of Cuba Broadcasting (Television and Radio Martí), Radio Free Asia (RFA), and the Middle East Broadcasting Networks (MBN). These networks collectively reach an unduplicated weekly audience of 278 million people in 100 countries and in 59 languages. Insulated by a firewall from political influence, these networks  deliver truth and professional journalism to people living in some of the world’s most closed societies.
Concluding the statement, USAGM said: “Now more than ever, people around the world need access to the truth. The U.S. Agency for Global Media continues to tell the truth, and illuminate the world like no other news organisation in the world.”
Ukraine increasingly digital

Ukraine increasingly digital

Ukraine long-delayed analogue TV switch off comes into effect

Following a Ukrainian cabinet decision from 13 June 2018, countrywide analogue switch off (ASO) will take place and analogue TV will be replaced by digital terrestrial television (DTT) on 31 August.

However, Ukraine’s National Council for TV and Radio Broadcasting (NRADA) made proposals, accepted by the government on 18 July, to continue analogue broadcasts “near the border [with Russia and occupied territories] where there are risks of information influence (…) for the public broadcaster and local broadcasters that do not have digital licences.”

High demand for DTT-compatible equipment expected

The council warned Ukrainian companies of a possible sharp increase in demand for DVB-T2 (MPEG-4) compatible tuners and TV sets.

It also appealed to small suppliers of digital equipment to consider the situation on the domestic market and to ensure the availability of tuners and televisions from different price categories in shops, in order to satisfy the demand for the equipment needed to receive DTT signals.

It was announced in May 2006 that the NRADA had allocated four DTT multiplex licences and that the first services would be launched by the end of that year. Initially, ASO was planned for 2014 or 2015, but the deadline kept slipping over the years.

Broadcasting council calls for more DAB+ receivers

The NRADA also called on retailers to ensure the supply of DAB+ radio receivers as nine stations started DAB+ broadcasts to Kiev and surrounding areas on 15 June.

On 31 July, the Association of Digital Broadcasters was set up and held its first meeting.

It aims at promoting the wide adoption of digital radio across the country to implement a marketing strategy, negotiate with retailers and encourage broadcasters to join the association.

As of 31 July NRADA had granted 13 DAB+ broadcasting licences.

Picture Kiev TV Tower. At 385m high, it is the tallest freestanding lattice steel construction in the world.