International Public Service Media’s essential role in global fight against the COVID-19 pandemic

International Public Service Media’s essential role in global fight against the COVID-19 pandemic

International Public Service Media’s essential role in global fight against the COVID-19 pandemic

Since the beginning of the global health crisis linked to the Covid-19 pandemic, the seven members of the DG7 group of international public service media (comprising France Médias Monde, Deutsche Welle, BBC World Service, USAGM, NHK World, CBC/Radio-Canada and ABC Australia) have recorded strong audience increases, illustrating the confidence of global audiences in the reliable and independent information they deliver on television, radio and digital media, in a large number of languages, on all continents.

The organisations have adapted to the consequences of the crisis and their teams – journalists, technicians, correspondents, part time workers and employees – have mobilised to pursue their mission tirelessly, informing people about the new coronavirus and helping to combat its spread by delivering prevention messages, in conjunction with the health authorities.

The international public service media in the seven countries have opened their platforms to the best scientific experts and specialists, to major political and economic leaders, on all aspects of the worst pandemic the world has seen in decades.

The fight against the proliferation, particularly on social networks, of fake news about the disease and its treatments has mobilised all the DG7’s editorial offices, which are used to cooperating in this field at a time when, more than ever, reliable information is protecting lives.

The international media are on the front lines, in all languages, even in the remotest corners of the globe to deliver reliable information, but also to entertain by bringing culture to life and artists to express themselves, or to educate by ensuring, through dedicated programmes, a mission of educational continuity for children and their parents.

The humanist values of solidarity that underpin our action have led the DG7 media to join in the worldwide drive to pay tribute to healthcare personnel, researchers and all frontline workers, and to pay special tribute to women, whose role has often been crucial at all levels of society. They have also sought to raise awareness of the increase in domestic and family violence in times of lockdown and how to prevent it.

The DG7 content is global and universal, but it is also local, thanks to their multilingualism, which makes it possible to reach the citizens of the world in their mother tongues, and to the hundreds of reports produced on the ground every day by their networks of correspondents in all countries.

DG7 leaders say that this period should encourage us to draw lessons about the way the world works and changes, about social relations, about the importance of public services and access to information. Their media contribute to the international reflection and debate needed to build the post-pandemic future and make the most of it.

This common mission at the service of the general interest, democratic values and freedom of expression, which brings us together, is particularly illustrated in the light of the health crisis. DG7 say they will do their utmost to build on on this public confidence in our media, which is more precious and greater than ever.

With more than one billion weekly users, DG7 media play a major role in the world in the service of free information.

All DG7 broadcasters are members of the Association for International Broadcasting.

DG7 members :

  • Marie-Christine Saragosse, Chairwoman and CEO, France Médias Monde
  • Peter Limbourg, Director General, Deutsche Welle
  • Jamie Angus, Director, BBC World Service Group
  • Grant Turner, Chief Executive Officer and Director, USAGM
  • Takai Takaaki, Managing Director, NHK World-Japan
  • Catherine Tait, President and Chief Executive Officer, CBC/Radio-Canada
  • David Anderson, Managing Director, ABC Australia
Thinking about Documentaries: A guide for potential documentary production

Thinking about Documentaries: A guide for potential documentary production

Thinking about Documentaries: A guide for potential documentary production

Logo of the Asia Pacific Broadcasting UnionJoin us for a webinar beginning on May 30, 2020 at 4:00 PM SGT.

Register now

ABU is presenting a Four – Part Workshop: Thinking about Documentaries. The four sessions will be held on 30 May, 31 May, 6 June and 7 June respectively.

The series will identify a way of approaching documentary programmes and films through history, technical developments and the processes required for successful productions. The four sessions will be:

  1. An introduction to Documentary making – Unraveling the “factual jigsaw” from news, features and current affairs to documentaries (30 May).
    2. The Documentary Maker … a brief history of genres into documentary development and trends of documentary making (31 May).
    3. A Documentary Template…… from concept to transmission (6 June).
    4. The Surgery. Participants’ ideas and questions… suggestions and feedback (7 June)WHO’S IT FOR

Broadcasters and associated professionals, who wish to expand their knowledge, skills and ability in factual programme making.

MEET THE TRAINER

Russell Isaac is a broadcaster with 40 years experience and has conceived, presented and produced documentaries since 1982. Working across the globe, he has produced programmes for the BBC, ITV, S4C, ESPN, Sky, Al Jazeera etc. and has tutored and guided documentary makers in Asia,the Middle East, Africa, Europe and Latin America. From an academic background in Social Science Russell became a TV and Radio broadcaster in news and current affairs reporting, presenting and producing from conflict and disaster zones across the world. For 20 years he was Managing Director of a number of UK Independent production companies producing documentaries and sports and was also a senior training consultant for the Thomson Foundation. He is currently a media consultant on Climate Change and Societal Development for a variety of international companies and organisations. He graduated from UCNW, Bangor University, Wales and conducted his MA research for the Social Science Research Council.

After registering, you will receive a confirmation email containing information about joining the webinar.

View System Requirements

NHK World programme highlights – Coronavirus

NHK World programme highlights – Coronavirus

NHK World programme highlights – Coronavirus

Doctor’s Insight – Dealing with Coronavirus

 

1 – How to protect yourself: June 9, Tuesday

2 – How to cope with stress: June 16, Tuesday

 

Reducing the risk of COVID-19 infection depends on acquiring accurate information and taking deliberate actionThe first program in this series explains the clinical features of the virus and the way it spreads. It also offers guidance about basic procedures such as washing your hands properly and wearing a face mask effectively. The second program shows how to neutralize stress and the physical problems it can cause. Exercising and establishing a daily routine are a good start. 

 

Gatten! Feeling tired? Fight it.

 

June 13, Saturday

If you’ve been feeling fatigued or sluggish, and you’ve developed dry skin or sudden hair loss, you may be lacking a certain nutrient. Recent studies suggest that’s true of 20% of women and 10% of men. A college rugby team that was struggling realized the players were dealing with a nutrient deficiency. Once it addressed the issue, it went on to win nine straight championships. The program explains how the problem can arise and what you can do about it.

 

Medical Frontiers

Mondays
15:30 / 21:30 / 3:30 / 9:30

Prevention to cure! The groundbreaking world of Japanese medical technology and healthcare. From food and exercise to the latest treatments.

 

Science View

Tuesdays

15:30 / 21:30 / 3:30 / 9:30

Science for our future. Cutting edge research, innovation and technology being created by Japanese scientists and engineers

Voyager Media Awards Recognise RNZ Journalism

Voyager Media Awards Recognise RNZ Journalism

Voyager Media Awards Recognise RNZ Journalism

RNZ excellence in journalism has been recognised at the prestigious Voyager Media Awards announced on 22 May 2020. The annual awards celebrate the very best in print, digital and broadcast journalism on all media platforms across New Zealand.

RNZ journalists have won an unprecedented seven Voyager awards and have received judging commendations as runners-up in two categories.

Guyon Espiner has won the coveted Reporter of the Year Award, with judges noting that he broke one of the biggest political stories of the year and demonstrated a strong commitment to reporting issues of public importance. Espiner’s Voyager award follows his recognition last week as Best News Journalist at the New Zealand Radio Awards.

RNZ podcasts have dominated in Voyager digital categories winning two awards. The RNZ / Stuff production, White Silence, has won Best Narrative Podcast – also backing up from a double success at last week’s New Zealand Radio Awards, and the Voyager award for Best Episodic Podcast is He Kakano Ahau, a collaboration with Ursula Grace Films.

Aaron Smale (Ngāti Porou), is the Voyager Feature Writer of the Year for his longform, hard-hitting, journalism addressing the impact of inequality on Māori. Judges said his work is deeply moving and beautifully written.

Te Aniwa Hurihanganui (Ngāti Porou, Ngāti Tuhourangi, Ngāti Tuwharetoa) receives the Te Tohu Kairangi trophy for Best Reporting – Māori Affairs. She was the inaugural recipient of the Henare te Ua Māori Journalism Internship established in 2017 by Radio New Zealand to support Te reo Māori and foster Māori journalism.

RNZ’s Logan Church won Best Junior Reporter for his insightful and compelling live radio cross in the aftermath of the Christchurch terrorist attack, with judges saying he displayed skills beyond his years.

In video journalism, Luke McPake was recognised as Best Feature or Current Affairs Video Journalist for Death Bed: The Story of Kelly Savage, which was described as captivating, powerful and creative storytelling.

Judging commendations as runners-up have been received by Phil Pennington in the individual Reporter of the Year category and the RNZ team for its investigation of the eviction of Tamaki state house tenants.

RNZ CEO Paul Thompson (pictured) congratulated all RNZ winners and finalists.

“These awards showcase excellence in New Zealand news and current affairs and I am proud to see our staff recognised as finalists and winners for their brilliant work – among such outstanding contenders. RNZ is committed to high quality, independent, and credible journalism and we value the opportunity to celebrate the industry with colleagues who represent the very best in New Zealand”

RNZ Voyager Media Award Winners for 2020:

Reporting

Guyon Espiner – Reporter of the Year

Te Aniwa Hurihanganui – Best Reporting – Māori Affairs

Logan Church – Best Reporter – Junior

Feature Writing

Aaron Smale, Feature Writer of the Year – Long Form

Video Journalism and Broadcasting–

Luke McPake, Best Feature of Current Affairs Video – Single Journalist

Digital

White Silence (RNZ/Stuff), Best Narrative Podcast

He Kakano Ahau (RNZ/Ursula Grace Films) Best Episodic Podcast

RNZ Runners-up are:

Phil Pennington – Runner-up Reporter of the Year RNZ- Runner-up Best Team Investigation

A full list of the 2020 Voyager Media Awards can be found here:

https://voyagermediaawards.nz/winners2020

United Nations launches global initiative to combat misinformation

United Nations launches global initiative to combat misinformation

United Nations launches global initiative to combat misinformation

The United Nations has launched ‘Verified’, an initiative to combat the growing scourge of COVID-19 misinformation by increasing the volume and reach of trusted, accurate information.

“We cannot cede our virtual spaces to those who traffic in lies, fear and hate,” said UN Secretary-General, António Guterres, who announced the initiative. “Misinformation spreads online, in messaging apps and person to person. Its creators use savvy production and distribution methods. To counter it, scientists and institutions like the United Nations need to reach people with accurate information they can trust.”

Verified, led by the UN Department for Global Communications (DGC), will provide information around three themes: science – to save lives; solidarity – to promote local and global cooperation; and solutions – to advocate for support to impacted populations. It will also promote recovery packages that tackle the climate crisis and address the root causes of poverty, inequality and hunger.

The initiative is calling on people around the world to sign up to become “information volunteers” to share trusted content to keep their families and communities safe and connected. Described as digital first responders, the volunteers will receive a daily feed of verified content optimised for social sharing with simple, compelling mes- saging that either directly counters misinformation or fills an information void.

DGC will partner with UN agencies and UN country teams, influencers, civil society, business and media organisations to distribute trusted, accurate content and work with social media platforms to root out hate and harmful assertions about COVID-19.

“In many countries the misinformation surging across digital channels is impeding the public health response and stirring unrest. There are disturbing efforts to exploit the crisis to advance nativism or to target minority groups, which could worsen as the strain on societies grows and the economic and social fallout kicks in,” Melissa Fleming, UN Under-Secretary-General for Global Communications, said. “The Verified initiative will also work to address this trend with hopeful content that celebrates local acts of humanity, the contributions of refugees and migrants, and makes the case for global cooperation.”

The initiative is a collaboration with Purpose, one of the world’s leading social mobilisation organisations. It is supported by the IKEA Foundation and Luminate.

Patricia Atkinson, the IKEA Foundation’s Chief Programmes Officer, said: “The COVID-19 pandemic is an unprecedented global health crisis. The IKEA Foundation is proud to be supporting Verified — an initiative aiming to make sure everyone has access to the trusted science and advice they need to keep their family and loved ones safe.”

Nishant Lalwani, Managing Director of Luminate, added: “COVID-19 has provided a stark reminder that access to accurate, trusted information can be the difference between fear and resilience, division and unity, and even life and death. We are proud to be supporting Verified and its work to tackle the coronavirus ‘infodemic’ by rapidly spreading reliable, science-based information to protect people and communities around the world.”

BBC publishes Annual Plan and registers record-breaking performance

BBC publishes Annual Plan and registers record-breaking performance

BBC publishes Annual Plan and registers record-breaking performance

The BBC’s Annual Plan published today reveals people across the UK have turned to the broadcaster in record numbers as a source of news, entertainment and companionship during the Covid-19 pandemic.

 

New figures show that as many as 94% of the UK adult population – and 86% of younger people – have turned to the BBC in some weeks, with the vast majority rating the BBC’s response highly and official figures showing it remains by far the most trusted source of news.

The BBC issued the following statement:

The plan is being published later than originally envisaged because our primary focus in recent weeks has been on keeping services on air and, like other organisations, responding to the significant challenges posed by the pandemic.  Our aim has been to serve the nation to the best of our ability and use all of our resources to keep the nation informed, educated and entertained. We have used our airwaves for everything from exercise classes for older people to religious services and recipes and advice on food for those on low incomes. We have created the biggest education offering in the BBC’s history to help children, parents and teachers get through school closures. And we have launched an essential arts and culture service – Culture in Quarantine – to keep the arts alive in people’s homes and support the arts sector during challenging times.

 

We have had to change and adapt what we had planned for the months ahead. Some of the things we have done during this time – for instance around health and wellbeing – may be things we retain once we are past the pandemic.

 

Our annual plan outlines what the BBC has achieved so far, how we will manage the months ahead, and creates a strong foundation for the future – albeit one which leaves the BBC facing increased financial challenges.

 

Sir David Clementi, BBC Chairman, said:

 

“Like many organisations, the BBC faces some very real financial challenges in the year ahead, but I am delighted that our services are performing so strongly and making a real difference to the public during a challenging time. I am proud of the job the BBC has done informing, educating and entertaining the UK at this unprecedented time and the response from audiences has been humbling. I would like to thank our staff for their performance and for everything they have done.”

 

Tony Hall, BBC Director-General, said:

 

“The pandemic has had far reaching consequences for most organisations. The BBC is no different. In our response, we have always tried to put the public first and deliver our public service remit in its truest sense. The response from audiences has been remarkable.

 

“We have seen a huge leap in the usage of our services, particularly among young people. The digital improvements we’ve made over the past year mean the BBC is well placed to embrace the future. We can now give audiences the BBC they want – a better iPlayer with more quality programmes available for longer, and a BBC Sounds that is innovating and performing.

 

“No organisation from the smallest shop to the largest multinational will be unchanged by this pandemic, but I believe this is a moment where the BBC can do more than ever for the UK and help us out of this crisis.

 

“None of us have all the answers today. But I honestly believe that the BBC has demonstrated its unique value to the country, and future change – in whatever form – should always be guided by the values and principles that founded the BBC. They have more than stood the test of time.”

 

Our annual plan shows that:

 

  • The BBC is the most used media organisation in the UK. As a result of our strong performance – and even at the height of lockdown when VOD growth was sharpest – the BBC is roughly 24% of all UK video, audio and online time spent by the average adult in a week – including YouTube, social media, general browsing, shopping and search. By contrast, Netflix is around 3% of that time. Even within linear and on-demand TV, we estimate the BBC is around 31% of time compared to around 9% for Netflix.
  • Viewing of BBC TV has been nearly 50% higher than last year in some weeks, while viewing figures for TV news have hit their highest levels since 2003.
  • 77% of the public think the BBC is currently effective at the moment in informing, educating and entertaining the UK, with a similar percentage for young adults.
  • Investing in digital services means the BBC is better meeting the demands of audiences, particularly younger people:
    • iPlayer has had a succession of record-breaking days, with news programmes, Killing Eve, The Nest and Normal People driving huge numbers of requests
    • BBC Sounds has grown to have significantly more users than iPlayer Radio, hitting 3.6m users in a week.
  • We have improved our performance with young adults in this period – we are reaching as many as eight out of ten young people. Far from “turning their backs on the BBC”, as some have suggested, they have been embracing our news and shows such as Normal People.
  • BBC Three has delivered some of the BBC’s biggest performing programmes, with Normal People now having more than 38m requests to watch it on BBC iPlayer.
  • Record numbers have been using our education offering while schools are closed. Within the first week the number of browsers coming to Bitesize was 5.2m, a new record week for the site and three times the equivalent figure last year.
  • Through Culture in Quarantine we have been hosting regular pop-up ‘festivals’ with partners including Museums from Home, the Big Book Weekend and Get Creative at home, while also supporting independent artists through offering funding for projects across all nations of the UK.

 

What Next

 

It is clear the BBC can help support the country as it emerges from this crisis. Today, we are supporting more parts of the media industry than any other provider. We have joined forces with other broadcasters and the independent production sector to help restart production safely. We will be using our commissioning budgets to invest in creativity across the whole UK and to increase the diversity of our output, led by our plans for BBC Three. We will focus our local and regional portfolio to do more in the Midlands and the North of England. We will offer a platform to new talent, to diverse voices and to artists who cannot reach audiences live. We will be redoubling our efforts to reach the hard-to-reach, the less secure, and the young.

 

While the BBC has been showing live programming, much of our production work has been on hold.  The BBC is now ready to return to programme production within weeks should conditions and government advice allow. Filming on EastEnders and Top Gear is due to start again by the end of next month.

 

We will step up our commitment to better serve young audiences who currently get less value from the BBC.  BBC Three has been a hit machine.  Such is its performance, we will consider the merit of restoring it as a linear channel. While young people would continue to predominately watch BBC Three content online, we believe that with the depth of content we now have available, there are still more people we could reach through a linear channel.

 

While we cannot know our full financial picture, we also hope to double the amount we spend on BBC Three commissions over the next two years.  This money would have to be found from elsewhere in BBC content budgets.

 

While BBC TV news audiences during the crisis are at their highest for many years, our strongest growth has been in digital news where browsers have been nearly 60% higher than the previous record just five months ago. Our new story-led approach to increase the impact and quality of our digital journalism is more important than ever.

 

Local radio has yet again proved its worth during this pandemic, with more than 640,000 interactions with its Make a Difference campaign. But it cannot stay as it is. We need to have an increased focus on areas the BBC has traditionally served less well in the Midlands and North of England, such as Bradford, Sunderland, Wolverhampton, Blackpool and Peterborough. We are still developing these plans. We will continue to shift more activity across the UK, commissioning more content outside London and developing a new tech hub in Newcastle.

 

The financial challenges facing the BBC are real and acute. They cannot be addressed within the context of this annual plan for the simple reason that there are still many uncertainties. We will have a better understanding in the autumn.

 

The report also sets out more detail on plans for the coming year including:

 

  • Developing BBC News Online to promote and amplify fewer, but more relevant and important, stories. BBC News will also use podcasts as a vehicle for investigative journalism, such as increasing Panorama podcasts on their key investigations on BBC Sounds.
  • Celebrating major music events including 50 years since Glastonbury began and programming across the BBC to mark the 250th anniversary of Beethoven’s birth.
  • Launching Tiny Happy People, an ambitious parent-facing campaign to help tackle the UK’s ‘word gap’ by helping build children’s vocabulary.
  • An explosion of comedy from female writers on BBC Two.
  • Reinvigorating what we do over the next year across the nations and regions to ensure we are in touch with diverse communities right across the UK.
  • Building on the progress already made in making the BBC a more diverse place to work, including a Creative Diversity Festival later in the year and a virtual event in July to celebrate and promote talent from Black and Ethnic Minority backgrounds.