Arqiva announces launch of France 24 HD in the UK

Arqiva announces launch of France 24 HD in the UK

Arqiva, the international satellite and media services provider, has today announced an upgrade of its five-year contract with France 24 to incorporate the launch of a new high definition (HD) channel in the UK.

France 24, an international rolling news channel broadcast in French, English, Arabic and Spanish to 355 million households around the world, has been available to UK audiences in standard definition (SD) in the UK since 2012. The announcement means that UK customers of Sky and Freesat can access its breaking news coverage in HD with immediate effect.

Arqiva will provide its satellite services to deliver the France 24 service to Sky and Freesat through its media facility in Paris. Using state-of-the-art encoding, Arqiva is also helping France 24 optimise the use of satellite capacity for HD delivery.

“Arqiva prides itself on delivering high quality services that are flexible to the specific needs of our customers, and as France 24 reaches more and more audiences in the coming years, we look forward to evolving our proposition with them.”

“Arqiva helped us launch our first UK SD channel back in 2012, and its reliable service and technical expertise has been critical in helping us to grow in this essential market.”

Encompass to acquire Babcock Media Services

Encompass to acquire Babcock Media Services

Encompass Digital Media has announced that it has signed a definitive agreement to acquire Babcock International Group’s (Babcock’s) Media Services business. This deal expands Encompass’ scale in EMEA and extends the company’s combined channel play-out, transmission and digital products portfolio while adding international radio distribution to its suite of services.

“Acquiring Babcock’s Media Services business increases our presence in the EMEA region, expands our video services offering, specifically in the live streaming sports arena, and bolsters our collective relationships with some of the most important media companies and public service broadcasters around the world,” explains Chris Walters, Encompass CEO. “We are thrilled to be adding a large number of highly regarded industry professionals to the Encompass team.”

The amount of technical complexity required to generate and deliver content to viewers continues to grow exponentially, and the acquisition of Babcock’s Media Services business represents a continued push to offer end-to-end, highly reliable and scalable services to media companies. With combined resources, Encompass will offer enhanced solutions to capture, process and deliver video content from any source, in any format, to any destination in the most efficient manner possible.

“I am delighted that Babcock’s Media Services business is becoming a part of one of the leading global providers of managed video services. The combination of Encompass’ significant international presence and prestigious customer base, together with Babcock’s growing capabilities in the rapidly expanding live streaming market and our market-leading position serving many of the world’s leading international radio broadcasters, will further cement Encompass’ global reputation as THE provider of choice,” states Nick Thompson, Managing Director of Babcock’s Media Services business.

Encompass has existing facilities in the UK, US, Singapore, Argentina, Latvia and India; this acquisition will grow its operations in the UK and Singapore and add operations in Oman and Ascension Island.

US international broadcasting rebrands

US international broadcasting rebrands

Effective immediately, the Broadcasting Board of Governors (BBG), an independent U.S. government agency that employs thousands of talented journalists, storytellers and media professionals, has been rebranded as the U.S. Agency for Global Media (USAGM).
USAGM describes itself as a modern media organisation, operating far beyond the traditional broadcast mediums of television and radio to include digital and mobile platforms. In a statement, USAGM said that the term “broadcasting” does not accurately describe what it does. “The new name reflects our modernisation and forward momentum while honouring its enduring mission to inform, engage and connect people around the world in support of freedom and democracy,” the statement said.
“We recognise the overdue need to communicate the evolving, global scope of our work as well as our renewed, urgent focus on the agency’s global priorities, which reflect U.S. national security and public diplomacy interests. USAGM is an independent federal agency that provides accurate, professional and objective news and information around-the-globe in a time of shifting politics, challenging media landscapes and weaponized information. Our identity and name will now address these realities.
“The decision to change our name was a result of thorough research and extensive consultation with numerous internal and external stakeholders, including the BBG Board of Governors, agency staff and leadership at all levels, the five networks, Congress, the Administration, and interagency colleagues.”
As with the BBG, the U.S. Agency for Global Media encompasses five networks: the Voice of America (VOA), Radio Free Europe/Radio Liberty (RFE/RL), the Office of Cuba Broadcasting (Television and Radio Martí), Radio Free Asia (RFA), and the Middle East Broadcasting Networks (MBN). These networks collectively reach an unduplicated weekly audience of 278 million people in 100 countries and in 59 languages. Insulated by a firewall from political influence, these networks  deliver truth and professional journalism to people living in some of the world’s most closed societies.
Concluding the statement, USAGM said: “Now more than ever, people around the world need access to the truth. The U.S. Agency for Global Media continues to tell the truth, and illuminate the world like no other news organisation in the world.”
The SatADSL Management: A Solid Team Delivering Cutting-Edge VSAT Technology

The SatADSL Management: A Solid Team Delivering Cutting-Edge VSAT Technology

When professionals meet, good things often happen. The founding partners of SatADSL, all from the telecommunications industry, prove this every day. One day, they decided to unite their expertise and talent to create SatADSL. And today, their enthusiasm and professionalism are rewarded by the company’s growing success. Introduction to the founding partners of SatADSL, a team of unusual personalities…

Thierry Eltges, the Chief Executive Officer (CEO) of SatADSL
Thierry holds an engineer’s degree. He begins his career in the 1980s at the Belgian Ministry of Science Policy and continues to work over the next decade for the European Space Agency (ESA) at the European Space Technology Center in Noordwijk, Holland. In the years 2000, Thierry starts his own company for consulting services ‒ Sea & Space Exploration, still active today. His customers include ESA and industrial companies such as Newtec or satellite telecommunications operators such as SES. For 10 years, Sea & Space Exploration specializes in market research for launching new products. Following a study for ESA in 2011, he decides to start SatADSL with the current management of SatADSL.

Fulvio Sansone, the Chief Technology Officer (CTO) of SatADSL
Fulvio graduated in electrical engineering from the University of Naples. He also holds an MBA and has over 20 years experience in satellite communications, intelligent transport systems, positioning and location-based services. He has worked for companies like Oracle Corporation as International Business Development Director and External R&D Director, European Satellite Operators Association (ESOA) as Secretary-General, ERTICO as Development Manager Satellite Positioning, and the Belgian mobile and satellite communications company SAIT-Radio Holland as Business Development Manager and Business Unit Manager. He joins Sea & Space Exploration in 2009.

Michel Dothey, the Chief Commercial Officer (CCO) of SatADSL
Michel holds a civil engineering’s degree from the Free University of Brussels. He has over 35 years experience in telecommunications companies, including SAIT-Radio Holland, where he started as a project manager and became head of the R&D department. There he meets Fulvio and later Thierry, in charge of supervising the ASE program of SAIT Radio-Holland. Michel goes on to work as a telecommunications consultant for, among others, the Belgian public-service broadcasting organization (RTBF). Before joining SatADSL in 2012, he also worked for a food company as Managing Director and Chief Executive Officer.

Caroline De Vos, the Chief Operating Officer (COO) and PR Manager of SatADSL
Caroline holds a Master in Physics from the Free University of Brussels, a Master in Space Science from the University of Liège and a Space Executive MBA from the International Space University.  She starts working as a systems engineer for ESA, where she first meets Thierry. She continues as Project Manager and Marketing & Communication Manager at Space Checker, an innovative company offering vehicle tracking and monitoring services for critical satellite data (speed, pressure, load temperature, etc.). Caroline then joins Space Application Services, an ESA sub-contractor, to manage the strategic definition projects for crewed missions to Mars. She is also an astronaut candidate and works for several months at ESA’s European Astronaut Training Centre in Cologne. In 2006, Caroline joins Sea & Space Exploration and contributes to several telecommunications market studies, including the one initiating the SatADSL adventure.
 

 

Funding boost for New Zealand public broadcasting

Funding boost for New Zealand public broadcasting

Funding boost for New Zealand public broadcasting

Public broadcasting allocated additional 15m NZ dollars in 2018 budget

New Zealand Broadcasting, Communications and Digital Media Minister Claire Curran announced the allocation of an extra NZD 15m (USD 10.2m, GBP 7.8m, EUR 8.7m) for public broadcasting on 11 July.

This additional funding is to be spread between RNZ (Radio New Zealand), the NZ On Air funding agency and a new fund targeting “under-served audiences”. This increase results from a recommendation from a Ministerial Public Media Advisory Group which found that NZ public media were funded at a lower level compared with those in developed countries of a similar size (Norway, Finland, Denmark, Ireland) as well as in Australia and Canada.

Welcome boost

This extra funding represents a 11.4% boost on the 2017 NZD 131.116m budget for public broadcasting. It will be allocated as follows:

  • NZD 4.5m for RNZ, “so that it can extend its multimedia services to reach more people in different ways – “RNZ + Stage 1’.”
  • NZD 4m for NZ On Air, “to enable it to boost its reach to under-served audiences such as children, and for innovative on-line drama.”
  • NZD 6m for a Joint Innovation Fund “to pilot a new type of sector-wide collaboration that would see RNZ commission content for its platforms from the commercial sector in a joint venture with NZ On Air.”
  • NZD 0.5m for the Ministry for Culture and Heritage (MCH) to undertake research on capacity for media collaboration and the levels of funding for an effective public media

NZ On Air is an independent Crown entity funding agency, which finances media projects and content, including television programmes and activities, community broadcasting as well as local music and artists and other projects that support local content and are important to New Zealanders.

NZ On Air describes its funding model as “unique in the world. Its flexibility has allowed us to follow the audiences, ensuring that as audiences find their media in new ways and places, they can still find local content.”

RNZ was established under the Radio New Zealand Act 1995 as a stand-alone, Crown-owned entity with major responsibilities being National Radio, Concert FM and Radio New Zealand International. RNZ is funded through NZ on Air (92%) the MCH and Parliament’s Office of the Clerk (8%) and receives no advertising revenue.

RNZ total expenditure in 2017 was NZD 38.981m.

The RNZ Charter, reviewed every five years, sets out RNZ operating principles

Wide and varied offer

RNZ offer has evolved and expanded since the 1995 Act. It includes now:

RNZ National, which broadcasts round-the-clock, its programme mix includes news and current affairs, documentaries and features, drama and music. At least 33% of the music it broadcasts is New Zealand in origin.

Talk-orientated programmes make up 60% of air time. Specialist features and documentaries produced exclusively for RNZ National focus on the interests of particular groups in the community.

Māori programming can be heard across the schedule.

RNZ Concert is RNZ’s fine music network. Music comprises 85% of air time. Much of this is classical, with additional specialist music programmes covering jazz, contemporary and world music.

Concert actively promotes New Zealand music and composition, providing an important showcase for the best of the country’s performing artists. “Its specialised production department commissions work from New Zealand musicians and composers, and initiates an extensive range of music programmes. The station delivers live broadcasts of concerts and recitals both of New Zealand artists and visiting international artists.”

Concert also features international programmes selected from public radio broadcasters overseas.

RNZ Pacific (formerly Radio New Zealand International or RNZI) provides a wide range of New Zealand programmes to listeners in the Pacific and beyond.

RNZ Pacific programmes are streamed online, and are available also in North America, Europe, Asia Pacific and Africa on World Radio Network (WRN – in ), on SW frequencies around the Pacific, and some Pacific stations rebroadcast also RNZI News Bulletins and other features.

In addition to its English-language programmes, RNZ Pacific broadcast daily short (4 – 10 minutes each) news bulletins in the following languages: Niuean, Cook Island Maori, Tongan, Samoan.

NZ Parliament broadcasts all sittings of Parliament.

The RNZ News service “provides vital elements throughout [its] 24-hour programming schedule, bringing impartial news and information to New Zealanders every day.”

Online Broadcasting

RNZ provides live-streaming of all its broadcasting services: RNZ National; RNZ Concert; RNZ Pacific, and the Parliamentary Network.

Most spoken word content is also available on-demand, with an online programme library which currently features more than 170,000 individual items.

Online broadcasting services are accessible through the RNZ website and smartphone applications.

What about television?

There is no public-funded television network in New Zealand.

TVNZ (Television New Zealand) is a Crown-owned fully commercially-funded commercial TV network.

It operates three channels, TVNZ 1, a general interest channel (news and current affairs, locally and internationally-produced drama, general entertainment and documentaries) TVNZ 2, which targets a younger audience with  dramas, comedies and reality TV shows, and TVNZ Duke, airs comedies, dramas, documentaries, movies and sport.

Sources

NZ On Air Annual Report 2017; RNZ Annual Report 2016/2017; TVNZ Annual Report 2017

EXCLUSIVE – 10 DAYS AT SEA: The Real Story of the Aquarius

EXCLUSIVE – 10 DAYS AT SEA: The Real Story of the Aquarius

Euronews to air exclusive, behind-the-scenes documentary filmed on board the migrant ship that divided Europe.

Lyon, France – 13 July 2018 – On Monday, July 16 at 9 p.m., Euronews will broadcast an exclusive documentary based on its extraordinary reporting on rescue operations in the
Mediterranean, where the Aquarius became unexpectedly caught up in Europe’s bitter dispute over migration.

Euronews correspondent Anelise Borges spent 10 days on board the Aquarius, a rescue vessel operated by Médecins Sans Frontières (MSF) and SOS Méditerranée. Anelise was the only television journalist on board. She filmed around the clock, using only an iPhone, to capture the human story of the men, women and children who risked everything to reach Europe. Her reporting became an essential source for other media outlets covering the migration issue.

The documentary, “10 DAYS AT SEA: The Real Story of the Aquarius” begins with the rescue of more than 200 people from the Mediterranean over five hours. It was a complex
and dangerous operation during which two refugees drowned. The Italian coast guard then brought hundreds more rescued people to the Aquarius, which ended up with more than 600 refugees and migrants, including 120 unaccompanied minors and seven pregnant women.

The film then follows the decision, by Italy and subsequently Malta, to refuse the Aquarius access to their ports – and the excruciating wait to know who would take the migrants in. It also portrays the bitter debate and unresolved tensions within the EU over what to do with migrants who attempt the dangerous crossing of the Mediterranean Sea.

The documentary captures the bonds of friendship that formed between the migrants and the rescue workers during the voyage, and the emotional farewells as they disembarked in Spain to begin a new life.

Aloys Vimard
Coordinator for Médecins Sans Frontières
“I hope this will help bring a different reaction – and that Europe will focus on the
dignity and on the security of these people.”

Anelise Borges
Euronews correspondent
“I think that the most powerful aspect of the work that we journalists do is that
every story changes you in a way. Everywhere you go, you come back a different
person. Everyone you meet makes you just a little bit more human. Aquarius
was an extraordinary journey into the hopes, and fears, of people. Human beings
like you and me. And that was the most important part of the story I had to tell
during those days at sea”

Deborah Turness
President, NBC News International
“Euronews is investing in frontline journalism, capturing Europe’s story on the
ground in the places where change is happening. “Ten Days at Sea” is the result
of this commitment, and of the extraordinary work of our correspondent Anelise
Borges. Her journalism had real impact and told a story that the world would
never, otherwise, have seen. We are all very proud of Anelise and of this film.”

The documentary will be broadcast on all Euronews platforms according to this schedule:

 

Date Time (CET)

16/07/2018 21:00:00
17/07/2018 21:00:00
18/07/2018 21:00:00
19/07/2018 14:00:00
19/07/2018 21:00:00
20/07/2018 18:00:00
20/07/2018 21:00:00
21/07/2018 21:00:00
22/07/2018 11:00:00
22/07/2018 21:00:00

follow Euronews and Africanews teams on Twitter: @euronews_group

for breaking news follow: @euronews @africanews

 

Media contact : For media enquiries :
Euronews NBC Universal
James Connell Christina Marker
Head of Press and Public Relations Coordinating Editor
t +33 (0)4 28 67 05 35
james.connell@ext.euronews.com
ppr-serv@euronews.com
t +44 (0)2 07 84 38 777
+44 (0)7 82 59 23 865 / +44 (0)7 49 01 11867

christina.marker@nbcuni.com

www.euronews.com www.nbcuniversal.com

Euronews
Euronews seeks to empower people by providing journalism without judgement, a trusted meeting space where
people can have conversations about the issues that matter. A team of more than 500 journalists from 30 different
countries strives to live up to the “All Voices, All Views, All Welcome” slogan, producing news in 12 languages
for television, the web, mobile apps, radio, YouTube and all major social networks. Euronews reaches 450 million
households worldwide and 125 million viewers monthly, according to the 2017 Global Web Index.
Through a partnership with NBC News, announced in June 2017, Euronews is increasing its capacity to produce
original programming and engage in cutting-edge news gathering.
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