Arqiva develops cloud-based support for Freeview Play’s metadata migration

Arqiva develops cloud-based support for Freeview Play’s metadata migration

Arqiva develops cloud-based support for Freeview Play’s metadata migration

Leading UK communications infrastructure and media services company, Arqiva, has created a cloud-based metadata management system for Digital UK, the organisation that leads the development of the UK’s biggest TV platform, Freeview. This system supports the migration of the Freeview Play service information platform to a highly scalable public cloud infrastructure. The solution aggregates, manages and delivers service and programme metadata from multiple sources for Freeview Play guides on connected TVs and set-top boxes, meaning viewers can seamlessly navigate between live TV and on-demand content.

 

Broadcasters are demanding increased service and commercial flexibility to keep up with a rapidly changing broadcast landscape, and Arqiva’s cloud-orchestrated technology will enable Freeview to quickly trial, adopt and integrate new services in line with market demands. Designed to be reliable and scalable, the virtual metadata system will support Freeview Play’s growth as it becomes a leading player in connected TV offerings.

 

The original metadata management system, which Arqiva built and operated for Digital UK,  has been at the heart of Freeview Play since its launch in 2015. Arqiva was chosen to support the transition to cloud because of its knowledge and understanding of the Freeview Play service and expertise in public cloud-based solutions. Since 2019 Arqiva has been working with Digital UK on designing, developing and testing the new cloud-based platform, with the full migration process completed on 20th July 2020.

 

James Jackson, technology director at Digital UK, said: “Providing an enjoyable, flexible and intuitive viewer experience is central to what we do. This Metadata Management system now allows Digital UK to adapt to future changes quicker and allows us to efficiently scale up as the platform grows rapidly over the coming years. Arqiva’s experience and depth of understanding of Freeview’s requirements has ensured that these systems can fully meet the expectations of viewers, broadcasters and our manufacturer partners.”

 

Laurie Patten, director of products and strategy at Arqiva, said: “As Freeview Play continues to grow in popularity, it’s more important than ever that Freeview has the right support in evolving its hybrid service towards a virtual environment. The new cloud-based metadata management system will mean Freeview can offer all its new and existing users a seamless viewing experience. Enhancing the viewing experience is always front of mind for our customers, and this highly-scalable and flexible system will allow them to bring new ideas to market sooner.” The design and build of the metadata management system that we built for Digital UK, fits within our growing cloud-based and software capabilities.

[Source: Arqiva press release]

TRT World Forum Digital Debates discuss Srebrenica Genocide on 25th anniversary

TRT World Forum Digital Debates discuss Srebrenica Genocide on 25th anniversary

TRT World Forum Digital Debates discuss Srebrenica Genocide on 25th anniversary

Marking the 25th anniversary of the Srebrenica Genocide, as part of a week-long discussion series with the participation of special guests, Digital Debates discusses human rights, war crimes and the effectiveness and challenges of the implementation of the ‘Responsibility to Protect’ principle in an effort to help prevent massacres and genocides.

 

The first session will take place today (Tuesday, July 7) at 5:00 pm GMT (8:00 pm local Turkey time) with the attendance of Dr. Waqar Azmi, Chairman of Remembering Srebrenica to discuss the ‘The Enduring Denial of Genocide’.

 

The session seeks to address the obstacles hampering reconciliation, the strategies used by genocide deniers, as well as questioning how Republika Srpska’s ongoing calls for secession affect reconciliation?

 

The other sessions are listed as follows:

 

July 8th at 5:00 pm GMT: ‘Criminal Tribunal for the former Yugoslavia and Prosecution of War Criminals’ with Dr. Nevenka Tromp Vrkic, Lecturer in East European Studies at the University of Amsterdam.

 

July 9th at 4:00 pm GMT: ‘The UN’s Responsibility to Protect Srebrenica’, Toby Cadman, Co-founder and Head of Guernica 37 International Justice Chambers.

 

July 10th at 5:00 pm GMT: ‘How International Justice Failed in Srebrenica’, Sir Geoffrey Nice QC, Lead Prosecutor in the Slobodan Milosevic trial at the UN-run International Criminal Tribunal for the former Yugoslavia

 

July 11th at 5:00 pm GMT: ‘The Humanitarian Scale of the Bosnian War and the Srebrenica Genocide’, Kathryne Bomberger, Director General of the International Commission on Missing Persons.

 

 

Everyone can join the sessions:

 

The sessions will be broadcast online on TRT World Forum’s social media accounts. Attendees are encouraged to address their questions during the live Q&A sessions.

 

YouTube: @TRTWorldForum

Facebook: @TRTWorldForum

Twitter: @ TRTWorldForum

 

What happened in Srebrenica:

 

In July 1995, half a century after the Holocaust, Europe witnessed another genocide. In the wake of Yugoslavia’s dissolution, thousands of civilians escaped to Srebrenica, a UN-designated safe area. However, under the watch of Dutch UN protection forces, the Bosnian Serb forces systematically massacred more than 8,000 Bosnian Muslims in Srebrenica. The ramifications of the massacre continue to haunt the victims’ families and the international community’s conscience.

 

About TRT

TRT, a European Broadcasting Union founding member, stands out as a reliable source of information with its reporting at home and from abroad, developing a rich tradition of journalistic integrity and offering viewers a rich bouquet of programmes. With over half a century of broadcasting experience, today TRT’s network extends to 14 television channels, 18 radio stations in 41 languages and dialects.In order to fulfill the demands of global audience for an easier access to its content on different platforms, TRT launched its English channel TRT World- a platform of news outlets aimed to inspire change in the world by delivering diverse reporting.

http://www.trt.net.tr/

https://www.facebook.com/TRT/

https://www.instagram.com/trt/

https://www.youtube.com/user/TRTTelevizyon

https://twitter.com/trt

 

About TRT World

TRT World, Turkey’s first English broadcasting international news platform was launched in 2015 and headquartered in Istanbul, with four newsrooms and an extensive global bureau network covering major regions and hot spots. Strategically designed to maximize its global reach, it is broadly available in all major English-speaking countries and can be accessed via traditional media, including free-to-air, cable and satellite, and other digital platforms, including mobiles, desktops and social media. A distinctive voice to the global news landscape, this is TRT World.

www.trtworld.com
twitter.com/trtworld 
facebook.com/trtworld
instagram.com/trtworld
youtube.com/c/trt.world

NHK World programme highlights – Coronavirus

NHK World programme highlights – Coronavirus

NHK World programme highlights – Coronavirus

Doctor’s Insight – Dealing with Coronavirus

 

1 – How to protect yourself: June 9, Tuesday

2 – How to cope with stress: June 16, Tuesday

 

Reducing the risk of COVID-19 infection depends on acquiring accurate information and taking deliberate actionThe first program in this series explains the clinical features of the virus and the way it spreads. It also offers guidance about basic procedures such as washing your hands properly and wearing a face mask effectively. The second program shows how to neutralize stress and the physical problems it can cause. Exercising and establishing a daily routine are a good start. 

 

Gatten! Feeling tired? Fight it.

 

June 13, Saturday

If you’ve been feeling fatigued or sluggish, and you’ve developed dry skin or sudden hair loss, you may be lacking a certain nutrient. Recent studies suggest that’s true of 20% of women and 10% of men. A college rugby team that was struggling realized the players were dealing with a nutrient deficiency. Once it addressed the issue, it went on to win nine straight championships. The program explains how the problem can arise and what you can do about it.

 

Medical Frontiers

Mondays
15:30 / 21:30 / 3:30 / 9:30

Prevention to cure! The groundbreaking world of Japanese medical technology and healthcare. From food and exercise to the latest treatments.

 

Science View

Tuesdays

15:30 / 21:30 / 3:30 / 9:30

Science for our future. Cutting edge research, innovation and technology being created by Japanese scientists and engineers

BBC publishes Annual Plan and registers record-breaking performance

BBC publishes Annual Plan and registers record-breaking performance

BBC publishes Annual Plan and registers record-breaking performance

The BBC’s Annual Plan published today reveals people across the UK have turned to the broadcaster in record numbers as a source of news, entertainment and companionship during the Covid-19 pandemic.

 

New figures show that as many as 94% of the UK adult population – and 86% of younger people – have turned to the BBC in some weeks, with the vast majority rating the BBC’s response highly and official figures showing it remains by far the most trusted source of news.

The BBC issued the following statement:

The plan is being published later than originally envisaged because our primary focus in recent weeks has been on keeping services on air and, like other organisations, responding to the significant challenges posed by the pandemic.  Our aim has been to serve the nation to the best of our ability and use all of our resources to keep the nation informed, educated and entertained. We have used our airwaves for everything from exercise classes for older people to religious services and recipes and advice on food for those on low incomes. We have created the biggest education offering in the BBC’s history to help children, parents and teachers get through school closures. And we have launched an essential arts and culture service – Culture in Quarantine – to keep the arts alive in people’s homes and support the arts sector during challenging times.

 

We have had to change and adapt what we had planned for the months ahead. Some of the things we have done during this time – for instance around health and wellbeing – may be things we retain once we are past the pandemic.

 

Our annual plan outlines what the BBC has achieved so far, how we will manage the months ahead, and creates a strong foundation for the future – albeit one which leaves the BBC facing increased financial challenges.

 

Sir David Clementi, BBC Chairman, said:

 

“Like many organisations, the BBC faces some very real financial challenges in the year ahead, but I am delighted that our services are performing so strongly and making a real difference to the public during a challenging time. I am proud of the job the BBC has done informing, educating and entertaining the UK at this unprecedented time and the response from audiences has been humbling. I would like to thank our staff for their performance and for everything they have done.”

 

Tony Hall, BBC Director-General, said:

 

“The pandemic has had far reaching consequences for most organisations. The BBC is no different. In our response, we have always tried to put the public first and deliver our public service remit in its truest sense. The response from audiences has been remarkable.

 

“We have seen a huge leap in the usage of our services, particularly among young people. The digital improvements we’ve made over the past year mean the BBC is well placed to embrace the future. We can now give audiences the BBC they want – a better iPlayer with more quality programmes available for longer, and a BBC Sounds that is innovating and performing.

 

“No organisation from the smallest shop to the largest multinational will be unchanged by this pandemic, but I believe this is a moment where the BBC can do more than ever for the UK and help us out of this crisis.

 

“None of us have all the answers today. But I honestly believe that the BBC has demonstrated its unique value to the country, and future change – in whatever form – should always be guided by the values and principles that founded the BBC. They have more than stood the test of time.”

 

Our annual plan shows that:

 

  • The BBC is the most used media organisation in the UK. As a result of our strong performance – and even at the height of lockdown when VOD growth was sharpest – the BBC is roughly 24% of all UK video, audio and online time spent by the average adult in a week – including YouTube, social media, general browsing, shopping and search. By contrast, Netflix is around 3% of that time. Even within linear and on-demand TV, we estimate the BBC is around 31% of time compared to around 9% for Netflix.
  • Viewing of BBC TV has been nearly 50% higher than last year in some weeks, while viewing figures for TV news have hit their highest levels since 2003.
  • 77% of the public think the BBC is currently effective at the moment in informing, educating and entertaining the UK, with a similar percentage for young adults.
  • Investing in digital services means the BBC is better meeting the demands of audiences, particularly younger people:
    • iPlayer has had a succession of record-breaking days, with news programmes, Killing Eve, The Nest and Normal People driving huge numbers of requests
    • BBC Sounds has grown to have significantly more users than iPlayer Radio, hitting 3.6m users in a week.
  • We have improved our performance with young adults in this period – we are reaching as many as eight out of ten young people. Far from “turning their backs on the BBC”, as some have suggested, they have been embracing our news and shows such as Normal People.
  • BBC Three has delivered some of the BBC’s biggest performing programmes, with Normal People now having more than 38m requests to watch it on BBC iPlayer.
  • Record numbers have been using our education offering while schools are closed. Within the first week the number of browsers coming to Bitesize was 5.2m, a new record week for the site and three times the equivalent figure last year.
  • Through Culture in Quarantine we have been hosting regular pop-up ‘festivals’ with partners including Museums from Home, the Big Book Weekend and Get Creative at home, while also supporting independent artists through offering funding for projects across all nations of the UK.

 

What Next

 

It is clear the BBC can help support the country as it emerges from this crisis. Today, we are supporting more parts of the media industry than any other provider. We have joined forces with other broadcasters and the independent production sector to help restart production safely. We will be using our commissioning budgets to invest in creativity across the whole UK and to increase the diversity of our output, led by our plans for BBC Three. We will focus our local and regional portfolio to do more in the Midlands and the North of England. We will offer a platform to new talent, to diverse voices and to artists who cannot reach audiences live. We will be redoubling our efforts to reach the hard-to-reach, the less secure, and the young.

 

While the BBC has been showing live programming, much of our production work has been on hold.  The BBC is now ready to return to programme production within weeks should conditions and government advice allow. Filming on EastEnders and Top Gear is due to start again by the end of next month.

 

We will step up our commitment to better serve young audiences who currently get less value from the BBC.  BBC Three has been a hit machine.  Such is its performance, we will consider the merit of restoring it as a linear channel. While young people would continue to predominately watch BBC Three content online, we believe that with the depth of content we now have available, there are still more people we could reach through a linear channel.

 

While we cannot know our full financial picture, we also hope to double the amount we spend on BBC Three commissions over the next two years.  This money would have to be found from elsewhere in BBC content budgets.

 

While BBC TV news audiences during the crisis are at their highest for many years, our strongest growth has been in digital news where browsers have been nearly 60% higher than the previous record just five months ago. Our new story-led approach to increase the impact and quality of our digital journalism is more important than ever.

 

Local radio has yet again proved its worth during this pandemic, with more than 640,000 interactions with its Make a Difference campaign. But it cannot stay as it is. We need to have an increased focus on areas the BBC has traditionally served less well in the Midlands and North of England, such as Bradford, Sunderland, Wolverhampton, Blackpool and Peterborough. We are still developing these plans. We will continue to shift more activity across the UK, commissioning more content outside London and developing a new tech hub in Newcastle.

 

The financial challenges facing the BBC are real and acute. They cannot be addressed within the context of this annual plan for the simple reason that there are still many uncertainties. We will have a better understanding in the autumn.

 

The report also sets out more detail on plans for the coming year including:

 

  • Developing BBC News Online to promote and amplify fewer, but more relevant and important, stories. BBC News will also use podcasts as a vehicle for investigative journalism, such as increasing Panorama podcasts on their key investigations on BBC Sounds.
  • Celebrating major music events including 50 years since Glastonbury began and programming across the BBC to mark the 250th anniversary of Beethoven’s birth.
  • Launching Tiny Happy People, an ambitious parent-facing campaign to help tackle the UK’s ‘word gap’ by helping build children’s vocabulary.
  • An explosion of comedy from female writers on BBC Two.
  • Reinvigorating what we do over the next year across the nations and regions to ensure we are in touch with diverse communities right across the UK.
  • Building on the progress already made in making the BBC a more diverse place to work, including a Creative Diversity Festival later in the year and a virtual event in July to celebrate and promote talent from Black and Ethnic Minority backgrounds.

 

 

MBC Group in world’s Top 20 media companies with 2.5bn social video views in 4/2020

MBC Group in world’s Top 20 media companies with 2.5bn social video views in 4/2020

MBC Group in world’s Top 20 media companies with 2.5bn social video views in 4/2020

Achieving yet another milestone, MBC Group has entered the Top 20 leaderboard for social media video views, as per Tubular Labs’ latest released results for the month of April 2020.

According to the just released report, MBC Group has achieved significant growth compared to the month of March 2020, jumping 13 positions, from number 32 to number 19 on the leaderboard for global media and entertainment entities. Tubular Labs’ top 5 currently comprises: The Walt Disney Company, ViacomCBS, Comcast, WarnerMedia and TheSoul Publishing. 

Over the month of April 2020, MBC Group in the Middle East achieved a total of 2.5 billion social video views, compared to 1.6 billion views in March 2020 – resulting in a month-on-month (MOM) growth of +58%.

As per April’s Tubular Labs result, MBC Group has seen a video view growth in each tracked platform:

  • YouTube: Views growth of +37.5%
  • Facebook: +76.6%
  • Instagram: +94.8%
  • Twitter: +53.8%

 

The mentioned total viewing figure for the month of April does not include the other considerable ones registered by MBC on both Snapchat and TikTok, platforms which are not tracked by Tubular Labs

Clearly, growth rates reflect the peak season and a few days sample of the strong performance of MBC TV channels in the Middle East during the holy month of Ramadan with, for example, over 50% audience share achieved in the Kingdom of Saudi Arabia, coupled with on-going audience leadership in the Gulf (GCC), North Africa (Egypt) and other key markets.

Tubular Labs is the leading global video measurement and analytics platform that powers broadcasters, publishers, and brands to create successful content and scale audiences faster. Its software tracks over 4 billion videos, 1 trillion views, 10 million influencers, 90K brands, 40K media, and 48 billion sponsored video views, with data gathered from YouTube, Facebook, Instagram, and Twitter.

It’s worth noting that in 2019, the group was the 37th top media company among 3,200 around the world – and number one in the Middle East – for digital video, as per the annual VideoAces Awards by Tubular Labs.

Figures can be found publicly via the web page: tubularlabs.com/property/712/MBC-Group?tab=summary

(Source: MBC press release)