Deutsche Welle: Stable usage figures despite censorship in many countries

Deutsche Welle: Stable usage figures despite censorship in many countries

Deutsche Welle: Stable usage figures despite censorship in many countries

With 291 million weekly user contacts worldwide, DW says that its programme offerings remain stable despite censorship affecting access to its services in several countries. DW’s video content accounts for 225 million user contacts, its audio content for 52 million and text offerings for 14 million.   

Violations of press freedom  

Technical blocking of DW services is by no means anything new for the German broadcaster, but it keeps affecting more and ever larger media markets. DW’s strategy of increasing its use of digital platforms in countries where press freedom is restricted makes it easier for users to continue accessing independent information. In some cases, this requires the use of tools to circumvent censorship, such as the DW App, the Tor browser or of trustworthy VPNs.  

In Russia, following the forced closure of DW’s Moscow bureau in early February, all DW channels were blocked. This was briefly reflected in a dip in TV ratings. However, in the months that followed, increased use of online and social media platforms reversed the impact.  

In late June, the Turkish Radio and Television Supreme Council RTÜK blocked access to DW’s websites. Again, a strategic shift to social media, particularly YouTube and Instagram, compensated for the temporary decrease in usage numbers.      

In Iran, where all DW broadcast channels have been blocked for years, video views of DW Persian jumped sharply following the death of the young Kurdish woman Jina Mahsa Amini in September and the subsequent protests. DW is currently unable to make a longer-term forecast for Iran, as Instagram at present is of limited use to all news providers.   

DW Director General Peter Limbourg has criticised the interference by authorities in many countries, describing it as “permanent attacks on press freedom.” Limbourg: “For years now and in more and more countries, governments have been obstructing or blocking access to independent information. The situation is truly alarming. Fortunately, however, we are often one step ahead with our innovative solutions. Our audience can rely on us to bring them news and information.”    

Multilingual success especially on social media  

The best-performing languages of DW’s 32 broadcast languages are English, Spanish and Arabic. Demand for video across all languages and regions – apart from sub-Saharan Africa – is the highest.    

Video content is used primarily by TV partners (accounting for 93 million user contacts) and digital platforms (YouTube accounts for 32 million; Facebook 31 million; Instagram 11 million; TikTok 8 million). YouTube (+6 million) and TikTok (+7 million) have seen the strongest growth this year.  

On Facebook, the best-performing pages are the Arabic-language channels JaafarTalk and DW Arabia. On YouTube, DW News (English) and DW Español (Spanish) as well as DW Documentary (English) and DW Documental (Spanish) stand out. On Instagram, the Albasheer Show (Arabic), +90 (Turkish) accounts and the currently blocked DW Persian are the most successful.  

Acting Managing Director of Programming Nadja Scholz: “DW started tailoring its offerings to digital platforms a few years ago for the very heterogeneous media markets around the world in order to meet the usage behaviour of our predominantly young, educated target groups. This strategy is now paying off.”  

In Latin America, DW reached 12 million more users compared to last year, primarily due to an increase in partial program acquisitions and TV switches by DW journalists with stations in Mexico, Venezuela and Brazil.  

Sub-Saharan Africa is the only DW target region where audio use continues to dominate, with 46 million listeners. But here, too, demand for video content has been growing steadily over the years.  

ABC and CBC extend collaboration and award-winning programme co-productions

ABC and CBC extend collaboration and award-winning programme co-productions

ABC and CBC extend collaboration and award-winning programme co-productions

The Australian Broadcasting Corporation (ABC) and CBC/Radio-Canada have announced that two projects from the Kindred ABC/CBC Animation Collaboration have been given co-production development deals with ABC Kids and CBC Kids:

  • My Shadow is Pink, a preschool series for kids ages 3 to 7, from Headspinner/Sticky Pictures and created by Scott Stuart and Ken Cuperus, based on Stuart’s best-selling book; and
  • The Eerie Chapters of Chhaya, a series for tweens ages 10 to 14, created by Suren Perera, Georgina Love and Thomas Duncan-Watt.

Both projects were chosen from among more than 180 submissions to the Kindred Animation initiative, which was launched earlier this year.

The national public broadcasters also announced the continuation of their successful creative and commercial collaboration. Originally signed in June 2019, the renewed Memorandum of Understanding (MOU) will allow the ABC and CBC/Radio-Canada to continue co-developing dramas, comedies, factual content, children’s programs, and podcasts, and to increase the reach and impact of this content.

Among the programming commissioned under the MOU is the compelling six-part TV series Stuff the British Stole, based on the hugely popular and multi-award-winning podcast of the same name. The radio programme/podcast won the top prize in the AIBs 2022 with presenter Marc Fennell joining the gala event in London via a link from Sydney. 

It has also delivered the spectacular and unorthodox science documentary Carbon: The Unauthorized Biography, narrated by Golden Globe winner Sarah Snook.

“I am pleased to continue our successful partnership with the CBC/Radio-Canada, which has already delivered a range of valuable content to our audiences. In an increasingly crowded international content market, it is vital for public broadcasters to find new ways to deliver our national stories to audiences at home and abroad.” said David Anderson, Managing Director, ABC

“This is such a great partnership. CBC/Radio-Canada and the Australian Broadcasting Corporation are leveraging their resources to support more Canadian and Australian creators so that their stories shine on the world stage. Building on the success of our past co-productions we will continue to show how essential public media is to arts and culture and democracy in both our countries.” — Catherine Tait, President and CEO, CBC/Radio-Canada

The announcements were made in Tokyo at the Embassy of Canada to Japan, just ahead of the Public Broadcasters International conference (PBI Tokyo 2022), an annual international gathering of public media executives. Both Mr. Anderson and Ms. Tait will speak at PBI on November 17 (11:00 a.m. to 12:30 p.m. JST) in a session addressing how public media are positioning themselves in a media ecosystem dominated by the so-called “digital giants.”

Mr. Anderson and Ms. Tait will also participate in the first in-person meeting of the Global Task Force for public media on November 16. The Global Task Force comprises the leaders of eight major public service media from around the world: ABC (Australia), BBC, CBC/Radio-Canada, France Télévisions, KBS (South Korea), RNZ (New Zealand), SVT (Sweden), and ZDF (Germany). Established in 2020 and chaired by Ms. Tait, the Global Task Force promotes and defends the values of public media—access, accuracy, accountability, creativity, impartiality, independence and high standards of journalism—all of which underpin informed and healthy democracies.

USAGM attracts record audience of 410 million

USAGM attracts record audience of 410 million

USAGM attracts record audience of 410 million

​The measured weekly audience for U.S. Agency for Global Media (USAGM) programming grew to 410 million people in fiscal year 2022, according to the agency’s Performance and Accountability Report submitted on 15 November 2022 to the US Congress.

The audience grew by 16 million adults, in the face of a global environment where autocratic regimes are increasingly impeding access to independent media or criminalising its consumption.

“This audience growth, despite sometimes draconian crackdowns on free media, proves what we’ve long known — that people will go to great lengths to seek out the truth,” said USAGM CEO Amanda Bennett. “The increase in audience and improvements in other impact measures laid out in this report speak to a worldwide hunger for accurate and reliable reporting.”

In FY 2022, USAGM measured audiences grew in key countries and regions around the world. In Nigeria, the audience has nearly doubled since it was last measured in 2018, to more than 37 million adults weekly. In Latin America, new data revealed measured audience growth of 22 percent, adding more than 12 million new consumers to the number reported in FY 2021.

USAGM also continued to reach large audiences in countries of key national security interest, despite efforts to block independent reporting in markets including Afghanistan, Russia, and Iran.

USAGM’s web and mobile traffic continued strong growth in FY 2022, with an average of more than an 18% increase across the networks.

USAGM’s networks — the Voice of America, Radio Free Europe/Radio Liberty, the Office of Cuba Broadcasting, Radio Free Asia, and the Middle East Broadcasting Networks — deliver news and programming via radio, television, and internet in 63 languages.

A sixth USAGM entity, the Open Technology Fund, provides tools to help audiences overcome internet restrictions and surveillance. In FY 2022, visits to USAGM networks’ websites through OTF-supported anti-censorship technologies almost doubled to more than 13 million per week.

“On behalf of those seeking independent, fact-based reporting, I want to thank the many brave women and men at our networks working under difficult, at times even life-threatening conditions, to share free media with the world,” added CEO Bennett.

Research conducted to estimate the agency’s global audience adheres to standards developed by the Conference of International Broadcasters’ Audience Research Service and reports the number of unique individuals who access USAGM content, or what is referred to as the unduplicated audience. This global audience estimate is just one element in USAGM’s annual performance report. The agency also measures impact based on quantitative and qualitative data on a wide range of factors, including program quality and credibility, engagement with content, and audience understanding of current events.

Picture: Henry Ridgwell reporting for VoA News from the Medyka crossing between Ukraine and Poland, February 2022

The AIBs 2022 – winners revealed at gala event in London

The AIBs 2022 – winners revealed at gala event in London

The AIBs 2022 – winners revealed at gala event in London

The winners of the 18th annual international competition for journalism and factual productions across TV, radio and digital platforms were announced at the AIBs gala dinner in London on 11 November.

The gala at Church House Westminster was the first in-person awards event for three years and was attended by guests from countries across Asia, Europe, and North America.

This year’s event partner was Radio Taiwan International, and the President of Taiwan, Tsai Ing-Wen, gave an opening address from Taipei highlighting the country’s remarkable transformation over the past few decades to open democracy and a free media.

The evening’s host, Rana Rahimpour, senior presenter at BBC News Persian, spoke of the ever more pressing need for free and impartial information – the type that entries to the AIBs represent so vividly.

The winners in each of the 19 categories are:

BREAKING NEWS TV/VIDEO

Winner – CNN – Ukraine

CONTINUING NEWS COVERAGE TV/VIDEO

Winner – ITN – ITV News – Partygate coverage

Highly commended – AFP – A War from All Angles: AFPTV Coverage in Ukraine

Highly commended – Radio Free Europe/Radio Liberty – Russia’s War on Ukraine

NEWS COVERAGE breaking or continuing RADIO/AUDIO

Winner – BBC Long Form Audio for BBC Sounds – Ukrainecast – 100 Days

SPECIALIST FACTUAL TV/VIDEO

Winner – Al Jazeera I Unit – Al Jazeera Investigations: The Truth Illusion

Highly Commended – Nutopia, Protozoa, Westbrook and National Geographic – Welcome to Earth

Highly Commended – Storyteller Films for CNA, Mediacorp Pte Ltd – A League of Extraordinary Makers

INTERNATIONAL AFFAIRS DOCUMENTARY TV/VIDEO

 Winner – Zandland Films for Channel 4 – The Cult of Conspiracy: QAnon

Highly Commended – Evan Williams Productions for Channel 4 – China: The Search for the Missing

Highly Commended – VRT – Syria, The Toxic War

FACTUAL PODCAST

Winner – Whistledown Productions for Audible – Deepest Dive: The Search for MH 370

Highly Commended – BBC Long Form Audio – The Coming Storm

HISTORICAL TV/VIDEO

Winner – OR Media – The Iran-Iraq War: A Tragedy That Changed History

Highly Commended – ViacomCBS – Channel 5 – 1000 Years a Slave

Highly Commended – Yeti Television for Channel 4 – Edward VIII: Britain’s Traitor King

HUMAN INTEREST RADIO/AUDIO

Winner – RTÉ – Documentary on One: Felix-Life and Limb

Highly Commended – Tortoise Media – Sweet Bobby

HUMAN INTEREST TV/VIDEO

Winner – Flicker Productions for ITV – Kate Garraway: Caring for Derek

Highly Commended – Just Another Production for CNA, Mediacorp Pte Ltd – Never Out of Reach

DOMESTIC AFFAIRS DOCUMENTARY TV/VIDEO

Winner – ITN for ITV News & Current Affairs – Surviving Squalor: Britain’s Housing Shame

Highly Commended – Finestripe Productions for Channel 4 – Davina McCall: Sex, Mind and the Menopause

Highly Commended – Artlab Films for Channel 5 – Warship: Life at Sea

INVESTIGATIVE DOCUMENTARY TV/VIDEO

Winner – Flicker Productions for Channel 4 – Hunting the Football Trolls – Jermaine Jenas

Highly Commended – BBC Africa Eye – Black Axe

Highly Commended – RTÉ Investigates – The Accountant, the Con, the Lies

SPECIALIST FACTUAL RADIO/AUDIO

Winner – ABC & CBC – STUFF THE BRITISH STOLE – The Abductions

Highly Commended – Lepus and Sparklab – Love, Spit and Valve Oil

Highly Commended – Loftus Media for BBC Radio 4 – Fungi: The New Frontier

SHORT FEATURE TV/VIDEO

Winner – Bloomberg News – The Pay Check – Kenya: The Lost Girls

Highly Commended – Channel 5 News | ITN – Child to Parent Abuse

Highly Commended – Al Jazeera Digital – Start Here: NATO’s Eastern Front

SPORTS JOURNALISM TV/VIDEO

Winner – Al Jazeera I Unit – Al Jazeera Investigations: The Men Who Sell Football

INVESTIGATIVE RADIO/AUDIO

Winner – A Tortoise Studio Production for Audible Originals – Finding Q: My Journey into QAnon

Highly Commended – BBC World Service – The Documentary: Who Killed My Grandfather?

NATURAL WORLD TV/VIDEO

Winner – NHK/ARTE France/NHK Enterprises – SATOYAMA – Niigata: Living with Snow

Highly Commended – Melt Studios for Al Jazeera English – Witness: Capturing Change

Highly Commended – Voice of America News – Weathering the Storm

SCIENCE and TECHNOLOGY TV/VIDEO

Winner – Wondrium and Blue Chalk Media – Solving for Zero

Highly Commended – Flicker Productions for BBC One – Ellie Simmonds: A World Without Dwarfism?

STREAMING DOCUMENTARY

Winner – WildBear Entertainment & Chrysaor Productions – Hating Peter Tatchell

Highly Commended – 歪脑|WHYNOT – Caught in the Crossfire

Highly Commended – Passion Pictures – Lady Boss: The Jackie Collins Story

POLITICS and BUSINESS TV/VIDEO

 Winner – ITN – ITV News – Partygate Coverage

Highly Commended – CNA, Mediacorp Pte Ltd – In Bad Faith

Highly Commended – Al Jazeera English in partnership with Reveal from the Centre for Investigative Reporting – Fault Lines: Unrelinquished

The AIBs 2022 winners book is available at: https://theaibs.tv/AIBs-2022/Gala-evening/The-AIBs-22-winners-book.pdf

Arqiva and MainStreaming in streaming video distribution partnership

Arqiva and MainStreaming in streaming video distribution partnership

Arqiva and MainStreaming in streaming video distribution partnership

Arqiva and MainStreaming have forged a technology and services partnership, to jointly offer distribution services for the media streaming market.

The partners will explore how the combination of MainStreaming’s cutting-edge CDN technology and broadcast-grade streaming experience with Arqiva’s global media infrastructure and managed services capability can offer more scalable, flexible, and programming-centric content distribution services for the media streaming market.

With ever-growing viewer numbers on streaming services and the increasing strategic value of online audiences, the streaming needs of the biggest broadcasters and service providers are greater than ever. The combination of a large audience served, consistently high video quality, and low latency is the tough combination to get right hour after hour. As such, secure, scalable and cost-effective content distribution networks are vital. 

Existing streaming distribution networks are not well suited to deliver either the quality of service required by service providers or the quality of experience expected by audiences. The growing carbon footprint of streaming services is also a concern for both providers and audiences. Arqiva and MainStreaming are coming together to address these issues and to challenge conventional approaches to content distribution.

“MainStreaming’s technology makes true edge computing for the media industry a reality, and already delivers important benefits for our industry-leading customers,” said Antonio G. Corrado, CEO, MainStreaming.  “We are excited to work together with Arqiva and the media industry to take advantage of our real-time, ultra-low latency, highly scalable streaming capabilities to deliver broadcast-grade streaming and also create new and exciting edge applications for video delivery.”

Clive White, CTO, Arqiva, commented: “The streaming world is changing fast and navigating the commercial and technical issues has never been harder. Arqiva and MainStreaming will be collaborating on a range of new capabilities and service offerings to meet these challenges with a view to optimising the customer experience and adding value to the biggest broadcasters in our core markets.”

The Trusted News Initiative creates Asia-Pacific network

The Trusted News Initiative creates Asia-Pacific network

The Trusted News Initiative creates Asia-Pacific network

Partners in the Trusted News Initiative (TNI) have agreed to further expand its global representation by creating a regional Asia-Pacific network.

The media organisations that now make up TNI’s new Asia-Pacific network have received training, funded by the Google News Initiative, to help their journalists navigate the disinformation environment.

The TNI is an industry collaboration of major news and global tech organisations, led by the BBC, working together to stop the spread of disinformation where it poses risk of real-world harm.  The creation of the Asia-Pacific network will enable the TNI’s regional partners to share their insights about tackling disinformation and discuss trends in the region.  They will draw on their expertise to share best practices and findings with the wider TNI and alert each other to the most dangerous forms of disinformation through the TNI cooperative framework.

The TNI is expanding its Asia-Pacific presence with the addition of the following group of independent news organisations:

  • ABC (Australia)
  • Dawn (Pakistan)
  • Indian Express (India)
  • Kompas (Indonesia)
  • NDTV (India)
  • NHK (Japan)
  • SBS (Australia)

Senior Controller of BBC News International Services and BBC World Service Director, Liliane Landor (pictured), says: “With the creation of TNI’s first regional network, we are bringing together trusted Asia-Pacific news-publishing organisations to further reinforce our collaboration and to make it even more efficient and productive.”

Head of Google News Lab, Matt Cooke, says: “As part of the Google News Initiative’s ongoing efforts to strengthen journalism and fight misinformation, we’ve worked with a range of academics, news organisations and nonprofits across the globe for several years. Now, we’re supporting the Trusted News Initiative to deliver targeted, expert training workshops on a variety of digital tools to help journalists as they seek to continue day-to-day verification and fact-checking in newsrooms across the region.”

Current TNI partners include AP, AFP, BBC, CBC/Radio-Canada, European Broadcasting Union (EBU), Financial Times, Google/YouTube, The Hindu, Information Futures Lab, Meta (Facebook/Instagram), Microsoft, The Nation Media Group, Reuters, Reuters Institute for the Study of Journalism, Twitter, and The Washington Post.

The TNI partnership works collectively in four main areas:

  • Fast Alert: creating a system so organisations can alert each other rapidly when they discover disinformation which threatens human life or disrupts democracy
  • Intelligence sharing: real-time conversation of equals between news organisations and tech platforms about the evolving nature of harmful disinformation
  • Media education: sharing insights and research on how audiences and users react to disinformation, thus informing best practice and supporting better digital literacy
  • Engineering solutions: sharing information on engineering solutions for authentication of trusted news sources and improving the information environment.

This is entirely separate from, and does not in any way affect, the editorial stance of any partner organisation.

[Source: BBC press release]