▼
        
        
          Main picture
        
        
          KiKA LIVE Trau
        
        
          dich Ötztal
        
        
          Inset
        
        
          KiKANiNCHEN
        
        
          company that sells our
        
        
          programmes, and the money is
        
        
          then put back into the
        
        
          programming budget. But it’s only
        
        
          a small part of our funding.
        
        
          
            This is a great luxury…
          
        
        
          Yes, we are very aware of this. We
        
        
          are very aware of what we’re doing
        
        
          and how the money is spent. After
        
        
          15 years working for a children’s
        
        
          channel, I can say that our staff put
        
        
          a lot of thought and creativity into
        
        
          every minute of the programmes
        
        
          they produce. It takes special
        
        
          people to work for children’s TV,
        
        
          and it’s great to work with them.
        
        
          
            What do you offer in terms of
          
        
        
          
            interactivity?
          
        
        
          We are experimenting with
        
        
          interactive TV, but at present we
        
        
          don’t have a live TV show which
        
        
          allows children to interact live on a
        
        
          second screen via laptop, tablet or
        
        
          phone. We are also in the process of
        
        
          updating our website. We hope to
        
        
          offer live programmes which
        
        
          children can interact with and give
        
        
          us their feedback on, and to which
        
        
          we can reply.
        
        
          
            Where is children’s TV going?
          
        
        
          We know there is a complete
        
        
          audience change‐over every five to
        
        
          10 years as children grow out of the
        
        
          target group. A lot of programmes
        
        
          are classics and can be broadcast
        
        
          over and over again because they
        
        
          don’t lose their appeal. At the
        
        
          centre, there’s good story telling.
        
        
          But the way we tell the stories
        
        
          needs to be looked at: is it still
        
        
          appropriate for this day and age?
        
        
          Do we have to change the style or
        
        
          topics? We also have to adapt to
        
        
          the way viewers want to consume
        
        
          moving images.
        
        
          So we keep track of what’s
        
        
          happening in the movies, on
        
        
          YouTube or on the internet. Some
        
        
          stories can be adapted to various
        
        
          media platforms, some can’t. But
        
        
          different media platforms
        
        
          enhance our potential to tell
        
        
          stories in different ways.
        
        
          
            What are your priorities for the
          
        
        
          
            next two years?
          
        
        
          I think we have to stay close to
        
        
          children’s realities and keep on
        
        
          dealing with topics which are
        
        
          important to them. Gaming is one
        
        
          example. Digital games are such a
        
        
          huge part of children’s lives, and
        
        
          it’s not happening in our
        
        
          programmes right now. We have
        
        
          to think about ways we can take
        
        
          this gaming aspect on board when
        
        
          we tell stories.
        
        
          Our next priority is to widen
        
        
          our cross‐media appeal. We want
        
        
          to improve our internet presence
        
        
          and provide children with the
        
        
          opportunity to interact with their
        
        
          favourite programme.
        
        
          Then we want to enter into a
        
        
          dialogue with parents, teachers and
        
        
          educators: the activities of public
        
        
          broadcasters should be made more
        
        
          transparent, so people know what
        
        
          they pay for.
        
        
          We want to share our
        
        
          knowledge about our target
        
        
          audience and discuss questions
        
        
          such as ‘how much time should
        
        
          my child spend in front of the TV
        
        
          set or a games console’? We have a
        
        
          lot of expertise in‐house and are
        
        
          ready to pass on this knowledge to
        
        
          the people who need it and those
        
        
          who finance us.
        
        
          
            Michael Stumpf, thank you.
          
        
        
          
            www.kika.de
          
        
        
          THE CHANNEL
        
        
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          ISSUE 1 2014
        
        
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          25